A Visconti Homo Sapiens, Disassembled: Lessons from a Repair

PRELUDE

A decade later, when one of my long-serving Homo Sapiens fell slightly behind humans in evolution.

Few pens inspire the kind of quiet admiration that the Visconti Homo Sapiens does. The familiar warmth of its basaltic lava body, the hook-safe capping mechanism, and its distinct presence in the hand; these have long made it one of the most characterful writing instruments in my modest collection.

       

    I wrote about my experiences with the Bronze Maxi and the Florentine Hills LE almost a decade ago, when they were relatively new and full of promise. A decade on, time has added not just patina, but also perspective, particularly on the realities of maintenance.

And, as it turns out, even the Homo Sapiens is not entirely immune to the occasional evolutionary setback.

THE BLACK SWAN EVENT

Activated by my cleaning ritual

Every few months, I try to keep my personal flagship fountain pens within a five-pen rotation. Two of them travel in a Brown Bear two-pen pouch. One is reserved for captions, fitted with a stub or equivalent grind: for example, a Pelikan m205 Duo Highlighter, an m200 with an italic nib, or a Schon Monoc with a reverse broad grind. The other is typically a snap-cap pen for quick note-taking: the Sheaffer Legacy 2026 at the moment (though it could just as easily be my Lamy 2000 or Pilot VP Fermo).

           The other three are for pure writing joy, at least as far as nibs are concerned. They reside in a Visconti Dreamtouch three-pen case. These three are not necessarily brand flagships. The only pen that remains permanently inked in this trio is a Conid Kingsize Demonstrator with a titanium fine nib, the Ti nib is a 2025 purchase from Conid. With its factory 14k fine nib (bought seven years ago), it never quite held the same place in my main three-pen rotation for more than a month; but that is a subject for another post.

Coming back to my cleaning ritual: I wanted to bring one of my Homo Sapiens back into the three-pen rotation. I leaned towards the Florentine Hills LE. It needed a bit of cleaning, especially around the blackened sterling silver trims, and I also wanted to unscrew the nib unit and apply some silicone grease to the inner barrel.

              When I tried to unscrew the nib unit, it felt unusually tight. This isn’t entirely new to me with resin sections and nib housings. In fact, it’s a recurring complaint I have with some pens that use resin sections; the housings can become incredibly difficult to unscrew, sometimes to the point where the nib and feed start moving instead of the housing itself. I’ve experienced this with my Conid Minimalistica as well as the Regular model with a resin section - even when silicone grease has been applied to the housing threads. Interestingly, this never seems to occur with metal-section pens, of which I own a few. It could be due to a combination of factors: ink residue accumulating between the housing and section, along with the subtle micro-shrinking of resin over time. Fountain pens do not seem to be entirely immune to the effects of age.

Over time, I’ve developed a home remedy that works reasonably well. I usually start by placing the pen in an ultrasonic cleaner with filtered water and a few drops of dishwashing liquid. In fact, I would recommend that anyone with a $100+ pen consider investing in an ultrasonic cleaner. The one pictured below cost me less than $35 and works quite well for small objects, including jewellery, eyeglasses, and, of course, pens - because nothing promises better weekend relaxation quite like deep-cleaning your fountain pens.

Once it’s cleaned with a 3-minute cycle, I would try to unscrew the housing again. If that doesn’t work, I heat water to about 70°C and leave the section in the warm water for 5-7 minutes. The idea behind it: the expansion rates of the housing and the section differ slightly, which should help loosen the housing, at least in theory. I have found this second technique particularly useful for removing stubborn, sealed sections on older Omas pens, Conid Minimalistica as well as for lubricating piston seals and realigning heat-set nibs.

             Coming back to the Florentine Hills, I had just cleaned the pen and began unscrewing the nib housing, which usually comes out quite easily with my Lava edition. This time, however, something felt off. To my considerable and rather unpleasant surprise, the entire section unscrewed instead. This was particularly concerning, as it is the very part that the hook-safe cap mechanism grips onto. It took me a moment to process what had just happened and a seemingly longer moment to accept it.

It took a Reddit post, along with removing the nib from my Homo Sapiens Lava edition, to confirm that the section had indeed come off and that my beloved pen now required servicing. 

Interestingly, the housing from the Homo Sapiens Lava Bronze edition came out almost effortlessly, with virtually no stress on the nib unit. I couldn’t help but wonder why there was such a difference. It appeared that the inner sleeve in the Lava version is metal, which might explain the disparity.

I also noticed that the yellowish-purplish material dangling from the inside of the green outer sleeve of the section was quite flaky. This appeared to be the adhesive that originally bonded it to the transparent inner section. It’s worth noting that the adhesive seems to be applied only to the upper portion of the green outer sleeve, the section with the larger diameter, allowing it to attach to the transparent inner section rather than the nib housing.

A BIT OF STUBBORN OPTIMISM

My passion for repairs and restorations

As part of my hobby, I’m fairly confident when it comes to opening up electronic devices and handling minor repairs myself. With fountain pens, however, excluding nibs (I’ve sacrificed enough of those to earn some experience), I tend to be more cautious about tinkering with components that could void the warranty.

So, I reached out to Visconti, and they are still getting back to me “shortly”. To be fair, their customer service has been quite good to me in the past, whether it was changing nibs (that’s a story for another day) on my Opera Master or replacing the cap on a travelling inkwell, among other things.

Given my day job around AI monetization, I’m also aware of the pitfalls of replacing customer service with autonomous agents - rules are rules, and escalation is often needed to reach a human. So when Visconti Italy replies in perfectly polished English but without any real resolution, I can’t help but wonder if I’m corresponding with an AI email assistant. Efficient, yes. Helpful - a question mark for what we call edge cases. It's also becoming ingrained in our daily lives -  I realise that even as I write this blog post, the app is suggesting grammar and language corrections.

                  I also contacted the person heading Visconti distribution here. He didn’t seem particularly optimistic, given the age of the pen, but did promise to check with the Italy office and get back to me. In any case, out-of-warranty service costs from Visconti would likely exceed the cost of an ultrasonic cleaner, glue, and other paraphernalia combined. So, I decided to take matters into my own hands. That said, I would strongly advise caution, if you’re new to fountain pens, don’t begin your repair journey with your Homo Sapiens or your Pelikans. Start somewhere less significant, emotionally and financially.

               While researching how to fix the section myself, I realised that regular glue wouldn’t work, the gap between the green outer sleeve and transparent inner section would remain, and ink leakage would be inevitable. I do have a box of O-rings, but they proved ineffective for this purpose during testing. Eventually, I concluded that an epoxy-based adhesive would be the best fit. I had no idea what an epoxy glue is, until this point. The most commonly available option is Araldite, though mixing it can feel like a chore. This led me back to my Reddit post, where user u/officedowntime shared their experience of reattaching a metal grip section on an Opera using B7000 adhesive - a clear, epoxy-based glue often used for jewellery as well. That comment turned out to be the star of the thread.

And a sincere thank you to u/officedowntime - proof that sometimes, the best repair manuals are hidden in Reddit/FPN comments.

FINAL PROCESS

Back to the current age

So, here is the process I followed. I also cleaned and serviced my Homo Sapiens Lava a bit more thoroughly.

1. Clean the section and other parts using a few drops of dishwashing liquid in an ultrasonic cleaner. Or, if you prefer the longer route, you can stand patiently by your washbasin with running water until you’re convinced the parts are absolutely spotless.
2. Remove any remaining traces of the old yellowish adhesive from the outside of the inner transparent section, as well as from the inside of the green outer sleeve.
3. Clean off the patina on the silver trims using an earbud with a drop of a silver polishing solution such as Klear Shine. Similarly, use a bronze/brass/copper cleaner (like Happi Planet) for the Homo Sapiens Lava edition, and then wipe everything with a damp cloth.
4. Apply a small amount of Nivea Cold Cream to remove the white spots from the HS Lava pen - because apparently, HS Lava appreciates the bit of skincare.
5. Allow all parts to dry thoroughly - this may take several hours.
6. Set aside the nib, feed, and housing for at least 24 hours, keeping them safely stored in a box.
7. Once the plastic section is completely dry, apply a tiny amount of silicone grease to the outer threads (which screw into the barrel) and lightly inside the barrel threads, using a toothpick. Spread evenly with your fingers if needed.
8. Tighten the inner transparent section into the barrel until you feel the first point of resistance.
9. Now for the important part: apply a very small amount of B7000 glue to the upper, visible portion of the inner transparent section using a toothpick. Keep the application narrower than you think necessary - the glue thickens quickly, and you will almost certainly need less than you expect.
10. Repeat the process for the green outer sleeve, using around two small drops of B7000 glue and spreading it evenly.
11. As the glue thickens within seconds, press the green outer sleeve firmly onto the section for about 2 minutes (follow the instructions on the tube). Remove any excess glue that seeps out near the section ring.
12. Leave the assembled section undisturbed for 24 - 30 hours to allow proper bonding.
13. After 24 hours, apply a small amount of silicone grease to the nib housing threads. If needed, you may also add a bit of grease to the piston end using a toothpick (reaching slightly into the barrel) before reinstalling the housing. Screw the nib unit back in until you reach the first point of resistance. That’s it.
14. Use a 20 - 30× loupe to check for misaligned tines and adjust gently with your fingernail if required. You may refer to notes by Richard Binder (link in references), if absolutely necessary. Minor misalignment can happen with tight sections - especially resin ones. I had to make a small adjustment to the Florentine Hills nib; the housing is still a snug fit.

Tada! the pen is ready to write. I enthusiastically tested both pens with Aurora Blue ink (my go-to test ink), and I’m happy to report that both are filling and writing beautifully again.

Thank you for spending your time on this blog - especially if, like me, you read these things out of sheer love for the hobby. It’s always satisfying to share something that might help someone else avoid (or at least survive) a similar “oops” moment.

You can find my other pen and paraphernalia reviews here.

OTHER REFERENCES

• Reddit - Visconti HS Lava Leaking Section
• Reddit - My Post
• My Silver Cleaner
• My Bronze Cleaner
• Link to Richard Binder's notes on Nib Smoothing

The Visconti Homo Sapiens Florentine Hills Review

THE HOMO SAPIENS 

In late 2009, Florence-based luxury pen maker Visconti announced in a press-release covering a nib made of 95% Palladium (23k) alloy. Commonly available nibs are 14k/18k/21k Gold alloy (Sailor), with a few exceptions (Danitrio & the Japanese karat warriors), and this was the first of its kind perhaps after the Esterbrook or Sheaffer PdAg nibs.

The other side of the snippet showcased a pen christened with a name of Homo Sapiens(HS), which was forged from an equal mix of basaltic lava and resin, adorned with bronze and protected from competitors by a patent. The lava came from Mt. Etna (one of the active volcanoes) on the east coast of Sicily, Italy. 

I came to know of the HS a few years later. Visconti (estd. 1988) promised the HS lava to be unbreakable, flameproof (upto 100°C), albeit with a slightly hygroscopic body, oxidation prone bronze trims, but with a corrosion-resistant titanium power filler. The available designs now range from lava plus bronze/steel/black PVD to a 388-limited edition (bronze LE) or some 1000-LEs Crystal Swirls or Florentine Hills or 888-limited-London Fog (made up of Acroloid/Sterling Silver). Besides, fountain pens there are also roller-balls and ball-point pens in the HS range, but those, of course do not concern our primary interest. Initially after getting a HS in bronze, I was always on the lookout for one of these beauties in silver trims.

DESIGN (6/6) 

AN ITALIAN JOB 

Visconti started the Homo Sapiens in Bronze & Lava as an homage to the evolution of mankind. Bronze Ages predates us by around five thousand years is the period, when humans began smelting and mixing of metals like copper and tin, to produce alloys like bronze. Also during that particular period, a system of writing/recording had evolved, mostly through the use of symbols. The trim-fittings including the HS Bronze clip are all made of bronze. 

                      The Florentine Hills carries the same design but is an acrylic demonstrator fused with ribbons of coloured celluloid suspended within - thereby the nomenclature acryloid. The ribbons range from light green to vivid tinges of yellow and reddish brown. 

 

These colours remind of meanderings through vineyards and olive groves, from the beechwood forests to the grassy groves of the countryside. The splendid works of Tuscany art and those picturesque landscapes somehow seem to share quite a common inspiration in spirit. 

 

                     A large silver centre-band at the start of the grip section with a HOMO SAPIENS imprint is followed by the particular LE number of the piece. So it’s typically XXX/1000 unless you ended up with the thousandth piece. The overall shape tapers towards the ends where you can enjoy the translucency of vivid green. Looks almost photosynthetic! The cap & blind cap might carry some of those celluloid ribbons, in a more subtle manner. 

The taper is more pronounced at the plunger end/blind cap rather than in the cap itself. A sterling silver loop embellishes the design at the start of the blind cap. It’s actually the filler collar. You can perhaps see a drop of Yama Budo :)

The unique locking system of the cap is nothing new if you have tried a HS. The quick hook safe lock threads (six) enable disengaging the cap, with a quarter of counter-clockwise twist. 

That little twist will of course reveal the dazzle of 23 karat Palladium nib and another photosynthetic grip section! A click is heard, once you correctly twist-lock the cap. A view of the inner cap locks

The cap has a spring inside to assist the locking mechanism. The section starts with the upraised locking threads with a faint resemblance to the Greek Key, and then tapers comfortably before ending up with a slightly raised stop. 

The finial mentions VISCONTI with the company trademark of the mirrored V. As always, the medal is customizable via Visconti's My Pen System with your initials or zodiac sign or gemstone (available from $15 onwards). You can pull out the visconti medallion from the finial by using any magnet and replace it with a gemstone of your choice. VISCONTI is embossed within a dark enamel background on both sides of the Ponte Vecchio clip which is made of sterling silver. 

The cap itself has a subtle taper towards the finial. Two spaced silver rings adorn the middle of the cap, dazzling within the greener pastures. The clip is spring loaded and you have to lift it to put it in your shirt pocket. The HS Bronze cap seems to have its own allure. :) 

FILLING SYSTEM (5/6) 

A silver loop logically separates the blind-cap, from rest of the barrel. On rotating the blind cap till its end-stop, you will be able to pull out a plunger, much like a tethered sword pulled from its sheath. The inside of the blind cap carries a silver insert to run the threads and so that the acrylic is protected from any damage. 

          The plunger rod is made of Titanium, a metal which has proved to be phenomenally resistant to most corrosive of fluids. Titanium rods are often placed as support inserts by dentists, in order to rebuild broken tooth structures! However, the shining filler collar made of sterling silver shines down condescendingly on the rather dull rod. 

The filler collar in the HS bronze is made of titanium with a graphite like dull lustre. 

 

                                Once you push in the knob with the nib dipped inside an ink bottle, you can feel a surge of ink inside the pen. An ink capacity of around 2.2 mL doesn't allow your favourite ink to last that long, given a generous flow of even for a fine nib! Here you can observe the secondary ink chamber (double walled), which can be loaded/drained into the main chamber, once you pull back the piston seal. My flight experience has been pleasant with a fully filled secondary chamber. So unless one is taking the HS FH to Mars/ISS, one doesn't have to worry about it. The small chamber lasts quite a few pages with the Fine nib and can be filled once the wetness reflects a paucity of fuel! During longer writing sessions or broad nibs, I keep the piston seal open. 

NIB - ALL THAT MATTERS (3/6) 

The giant two-tone nib with an usual iridium tip comes in four main sizes – EF, F, M & B along two special widths – BB (double-broad) & Stub (S). The nib has an leverage of around 2.6 cm and it is a #6 Visconti nib. These dreamtouch nibs are manufactured by Bock. Half of them are probably out of touch due to a tine issue or the other!

             At the tail end of the nib, lies the nib width, above which embossed are the specifications of 23k Pd 950 and a word FIRENZE. Firenze refers to Florence in Italy which is the birthplace of both Italian Renaissance and Visconti Pens, thereby its borrowed tagline - The Writing Renaissance. 

                      Palladium is the dazzling silvery and matches well with the overall trims. Personally though, I prefer the two-tone gold adornment. The silvery finish diverges from the lunar-eclipse breather hole across the inside of the tines and over to the tail. The name VISCONTI lies below the moony breather hole, with splashes of shapes of diamonds, droplets and half-moons to ornament the nib. This one is a fine nib and came with misaligned tines. Now it writes smoothly after adjusting the tines, thankfully I didn't have to send it to Visconti again. 

              The feed is a standard visconti feed with closely spaced fins, carrying the V logo at the delta region. The nib is screw-fit onto the grip section and can be swapped with ease, provided you take care of the tines. It has a bit of flex (which increases with use), although there is not much difference for an EF & F nib, when it comes to line variation with mild pressure. Be careful with over-flexing the palladium nib, it might result in a permanent damage. 

This nib initially ran wet, though it gave a strong feedback at certain angles due to the right tine, which was misaligned. The right tine stood lower than the left. And the width it lay was close to a true EF. That’s was what bewildered me, how come a Visconti Fine write so thin! I bet it was still better than some of my bad sailor nibs! Post alignment of the tines, the width of the lines increased to a true European fine or a Japanese medium and it now runs with heavy juice. 

PHYSICS OF IT (6/6) – RELATIVELY SPEAKING 

With a cylindrical body forged out of acrylic and celluloid & adorned with silver rings, it does give an earthly greenish repose. The overall weight has got a significant contribution from the cap due to the silver clip. A girth of around 1 cm is quite comfortable and it’s one of the most comfortable pens for me. As an analogy, the cap itself could be as heavy as a Pelikan m400 fountain pen. The HS bronze is heavier compared to the FH. 

• Capped Length ~ 14.4 cm 
• Non-posted Length ~ 13.2 cm 
• Non-posted Weight ~ g 
• Nib Leverage ~ 2.6 cm 
• Overall Weight ~ 37.8 g (HS Bronze ~ 43.7 g) 
• Overall Weight (inked) ~ 40.1 g 

• Weight Without Cap ~ 22.8 g (HS Bronze ~ 26.6 g) 

         Comparing capped lengths, the HS (Since HS LEs are Oversize/Maxi) does seem similar to a Pilot Custom 823 (which is not as hefty), a m1000 is there to reference a comparison with the Size#8 nib (its heft is on the higher of HS). 

 

ECONOMIC VALUE (4/6) 

          Though the Homo Sapiens Florentine Hills sells around USD 800, it is available for lower street prices. I was able to get the pen at a pretty good price, and I don't want your decision to be coloured by this price, apart from discussing it. Still, I do fail to find a great economic value for a piece of acrylic with some silver(@50 cents/gram), even though it does feel great to hold, write and a pleasure to see. I feel the bronze edition is a rather memorable pen to keep. 

OVERALL (4.8/6) 

             One thing regarding the misaligned tines, it was an easy fix for me and did not require specialised services. It’s the most common problem across many luxury brands and sometimes it does run worse. Had it been something worse where I would have had to send the nib back, my rating would have been 1/6 on the nib, 1-for the design. 

           I am used to a few large pens, I like the balance and do not find any problem with either the heft or balance of HS. Personally I like the Lava model more, since the materials and workmanship seem much more elegant. There is some line variation as the #6 nib does render springy softness to cushion mild writing pressures. No hard starts, no skips! The Fine nib lays a line which runs true to its European standards and for a cross-reference it runs more like a Japanese Medium nib. The pen feels well balanced for my hands though it does seem to have a short section for gripping. The hook-safe threads might interfere with your grip, if you tend to hold a pen higher. 

I have used multiple fills of Iroshizuku Yama Budo & GvFC Moss Green inks, and the pen runs rather nicely with Iro. Which pen doesn't :) Being a wet writer out of the box, the Fine nib lays a nice juice but thinner line, which takes around 35 seconds to dry a GvFC Moss Green (I find Moss Green to dry quicker) on MD Paper. 

The flex is evident due to the springy nib, which with a gentle pressure delivers thicker strokes, though the range of strokes run broader with increasing nib-width. Personally, I would have saved up for a Conid in acrylic, but the lure or Palladium/Silver/Acryloid vs a Titanium/Acrylic marched right ahead in my head. Perhaps some day else, since titan is already there.

REFERENCES 

HS Bronze Review

Press Release - 23kt Pd nib

Tine Adjustment Video (8:00 onwards)- Brian Goulet

Thank you for going through the review. 

You can find some more pen and paraphernalia reviews here. 

The Visconti Dreamtouch 6-Pen Case

I was looking for a quality pen-case for quite sometime, which could also serve as a handy storage of my fountain pens, outside their hefty boxes. Existence of nice fountain pens, necessitates invention of great fountain pen cases. I do use a Pelikan 3-pen case to carry my daily fountain pens, but I required something more secure, which can double up as a travel companion, if I ever intend to carry more than three pens at a time. The Dreamtouch leather series were launched sometime in 2012. For the leather pen cases, Visconti offers 5 variants in an ensemble of a compact and unique design, housing 1/2/3/6/12 pens.

PRESENTATION

As usual, there is a white Visconti fabric pouch, inside which the case rests once you take it out of the cardboard box. It ensures that the leather remains intact and unscathed before use.

DESIGN & BUILD (6/6)

The outside is made of aniline-calfskin with a clean and precise workmanship. Aniline leather making techniques preserve the natural surface of hide and render a soft natural feel of the same. The flip side is they do indeed carry the natural porosity of skin. When you look at the threads and feel the case you would instantly know, that you have landed upon great workmanship.

Then at the top of the flap, there is the V logo inside an ellipse, which is made of chrome plated metal. It seems minimalist aesthetically, but it does succeed in drawing your attention. The zip looks flat and compact, converging with the geometrical dimensions of the case. You will neither find the case too pliable nor you would find it too hard. A very compact case indeed!

The rear-end is plain and coveys volumes instead.

The flap converges with the overall flat design quite well.

The slider is chrome plated metal and sports the same logo which is present on finials of Visconti pens. The name VISCONTI lies within a mirrored V. 

The back-side sports an embossed VISCONTI with the name of its birthplace, the renaissance town FIRENZE. 

PHYSICS & PERFORMANCE (5/6)

The 6-pen case weighing around 150 grams and is quite light and easy to hold. It can hold a pen upto 15.5 cm of length. A thicker pen will of course displace the divider by a tiny bit. The flat design of the case, makes it a convenient storage box. I just love the compactness of this case.

• Length ~ 16 cm
• Width ~ 14 cm
• Depth ~ 2.7 cm

A 15 cm scale can completely rest inside with some additional pen-room.

You can observe that the dividers are placed at least 2.3 cm apart, which makes it capable of housing most of the pens. The inside linings are made of black velvet, a touch would reveal it's quite dense and should protect your pens well. One downside is that all the pens will not fit snugly inside these slots and there are chances of bumping inside it, in case you are travelling.

The finial of a rather large pen like an Izumo (>16 cm) can become exposed to the zipper material. Had it been a metallic finial with a flat top (say Pelikan), there are chances of scratches, due to lack of any additional protective lining on its insides. Although the zippers have plastic teeth, the slider with its metallic clasp still has to traverse along these lines.

From left to right : Pelikan m605, m805, Platinum Izumo Tagayasan, MB146, Pilot Custom 823 and a Visconti Homo Sapiens Maxi.

A dimensional comparison with a Pelikan TG32 (black/green) 3-pen case

ECONOMIC VALUE (6/6)

Although the 6-pen case retails in the market at around USD 120, I was able to win this one in an auction, at around USD 77. From time to time, I do find multiple auctions for these cases running on the bay.  I feel that's a good price for any aniline leather product.

OVERALL (5.7/6)

Overall, I do feel that the 6-Pen Dreamtouch case has been a nice buy, custom made to my requirements of compactness and aesthetics. It is subtle yet elegant at the same time. I would keep the large pens inside their boxes.

More pen and paraphernalia reviews here.

Visconti Homo Sapiens Bronze (Maxi) Review

THE HOMO SAPIENS

Somewhere around late 2009, Florence-based luxury pen maker Visconti announced a nib made out of 95% Palladium (23k) alloy, in a press-release. Most of the nibs that were commonly available were 18k/21k Gold with a few exceptions (Sailor, Danitrio among others), and this was the first of its kind. The other side of the snippet showcased a pen christened with the name of ‘Homo Sapiens’ (HS), forged from an almost equal mix of basaltic lava and resin, adorned with bronze and protected from competitors with a patented formulae. The lava came from Mt. Etna (an active volcano) on the east coast of Sicily, Italy. I came to know of this pen three years later while watching a bay sale. Visconti (estd. 1988) promised the HS lava to be unbreakable, flameproof (upto 100°C), with a slightly hygroscopic body, fitted with bronze parts with a corrosion-resistant titanium power filler. The versions available these days are  HS-lava/bronze or steel, a lava/bronze (by Mazzi) 388-limited edition (LE) and a 1000-LE crystal swirls or florentine hills or the 888-LE London Fog (made up of Acroloid/Sterling Silver). Besides, fountain pens there are also roller-balls and ball-point pens in the HS range, but those, of course do not concern our primary course of interest.

DESIGN (6/6)

AN ITALIAN JOB

Visconti does pay a gentle homage to the evolution of mankind by attaching significance to our Bronze Age, predating by around five thousand years. That’s the period when humans began smelting and mixing of metals like copper and tin, to produce alloys like bronze. Also during this period, a system of writing had gradually evolved, however it was majorly through symbols used to convey information. The trim-fittings including the clip are all made out of bronze, for this version of the pen. The trim-variants are steel or sterling silver for the other Homo Sapiens (HS) pens. The midi size is available only with steel trims.

Out of the well-protected box, this pen comes out with a spring-loaded clip made of bronze, holding a paper-flyer, which tells you the nib specification on one side (23K Pd – 950) and expresses ‘dreamtouch’ as – ‘Do not press! The nib will follow your dreams’. This being the Maxi model flaunts a larger nib.

The next thing, one would notice is the unique locking system of the cap. The quick-locking six hook safe lock threads enable disengaging the cap, with just a quarter counter-clockwise twist. That little twist will of course reveal a fabulous 23 karat two-tone Palladium nib and an almost earthly grip section. A click sound is heard, once you correctly twist-lock the cap. The cap has a spring inside, to support the locking threads. 

The finial on the cap mentions VISCONTI with the company logo of mirrored "V". It is customizable via Visconti's My Pen System with either your initials or a zodiac sign or even some gemstone. You can pull out the visconti medallion from the finial by using any magnet or adhesive tape and replace it with a gemstone of your choice. 

The name of the company VISCONTI is embossed on both sides of the (Ponte Vecchio shaped) bronze clip, with a dark earthly background. 

The bronze in my case had a slight patina developed over its rose-gold sheen, and I am happy with the dated-look. Alternately, there is a deep yellow bronze polishing cloth provided along with this pen to clean the surface-oxidation. For carrying it in your shirt pocket, you have to lift the end of the spring loaded clip, as the raised end does not slip easily. Two spaced bronze rings adorn the middle of the cap, with a mute semblance of another bronze-age. 

A large bronze centre-band at the start of the grip section with an earthly black HOMO SAPIENS imprint is followed by the cap-lock threads and subsequently the grip section. I would rather say that this pen is quite very intelligently designed, apart from wielding materials that could be hard to master.

FILLING SYSTEM (5/6)

As you can see, there is a bronze ring separating the power-filler knob from rest of the barrel. Once you rotate the knob counter-clockwise till an end-stop, you will be able to pull out the plunger, like a tethered sword from its sheath. The rod is made of Titanium, a metal which has proved to be phenomenally resistant to the most corrosive of fluids. Titanium rods are often placed as support inserts by dentists, in order to rebuild broken tooth structures. Yes you could quibble about an ink-window, but my guess is that it would compromise on the sheer robustness of the make.

                  Coming back to the HS-Bronze, once you push in the knob with the nib dipped inside an ink bottle, you can feel a surge of ink inside the pen. An ink capacity of around 1.2 - 1.5 mL doesn't allow your favourite ink to last that long, with this generous flow of the nib! The Steel midi version comes with a piston knob instead of a plunger. The midi has around 1 mL of ink capacity.

THE PALLADIUM NIB - ALL THAT MATTERS (5/6)

The giant two-tone nib with an usual iridium tip comes in four main sizes – EF, F, M & B along two special widths – BB (double-broad) & Stub (S). The nib has an leverage of around 2.6 cm and is a #6 Visconti nib. These dreamtouch nibs are manufactured by Bock. Made up of palladium and adorned with gold, this two-tone nib of HS-bronze makes a singularly distinctive statement. The steel variant comes with an equally graceful monotone silver-colour.

The tail end of the nib specifies the size and below it rests the composition (23k, Pd 95%) of the palladium-alloy used. Palladium is the dazzling silvery white metal while the golden ones are simply plating. A golden decor runs along the shoulders of the nib and it converges across the outer tines onto the iridium tip, while the silvery finish diverges from the lunar-eclipse breather hole across the inside of the tines and over to the tail. The name VISCONTI lies below the moony breather hole, with splashes of golden diamonds, droplets and half-moons to ornament the nib body. This one is a fine nib and writes smooth. At the tail end of the nib, lies the nib width, above which embossed are the specifications of ‘23k Pd 950’ and a word FIRENZE. Firenze refers to Florence, Italy which is the birthplace of both Italian Renaissance and Visconti Pens, thereby its borrowed tagline - The Writing Renaissance. 

The feed is a standard visconti feed with closely spaced fins, carrying the V logo at the delta region. The nib is screw-fit onto the grip section and can be swapped with ease, provided you take care of the flexible tines. It has quite a bit of flex, although there is not much difference for an EF or F nib, when it comes to line variation with a bit of pressure. I would strongly advise you to be careful with over-flexing the palladium nib, there could be a permanent damage to the nib.

PHYSICS OF IT (6/6) – RELATIVELY SPEAKING

With a cylindrical body forged out of basaltic lava and resin with  bronze rings, it does give an earthly repose  when held for writing with nearly of length with mass. The overall weight has got a significant contribution from the cap. As an analogy, the cap itself could be heavier than a Pelikan m600 fountain pen.

• Capped Length ~ 14.4 cm 

• Non-posted Length ~ 13.2 cm 

• Uncapped Weight   ~ 26.6 g

• Nib Leverage ~ 2.6 cm 

• Overall Weight ~ 43.6 g

Comparing capped lengths, the HS Maxi does seem to be longer than a m805/MB146 although it's a tad shorter when compared to a pilot custom 823.

Uncapped all of them have a similar length, though the heft of the HS Maxi seems more.

ECONOMIC VALUE (5/6)

Though the Homo Sapiens Maxi sells between USD 450-695, it might be available at lower street/auction prices. With end of season clearance sale, I was able to get the pen at a good discounted price. I would not undervalue this rating by much, because in the end the Homo Sapiens is a kind of masterpiece in itself. After all it's a pen made out of basaltic lava and bronze, with a unique palladium nib. But is it worth $ 695? Is any pen worth $ 695 for that matter!, you see it's a subjective question, I do not have an answer to that!

OVERALL (5.4/6)

The adorable matte black finish complements an anachronistic appeal of the Homo Sapiens Bronze, given the lava finish along with oxidizable bronze rings. This pen is blessed with a smooth fine nib which delivers a nice juicy wet line. 
        I am used to a few large pens, I like the balance and do not find any problem with either the heft or balance of HS Maxi Bronze.The line width closely resembles with a Pelikan/MB Fine nib. And with slight pressure, the tines do open up, thus increasing the line width to a decent 1.5x. For a moderately wet Sailor Ultramarine ink, it takes around 35 seconds to dry on Midori MD paper. The flex is evident to a greater degree due to the springy Palladium alloy. The nib was pretty wet even for an extra-fine nib with a generous ink flow. For thinner widths extra-fine is a better option. The original nib was an EF and it was a QC-victim. I went for a F-nib replacement.

EF nib

F nib

I did not face a situation of ink-sweating at edges of the grip. Hopefully, it has been fixed and there is no need to grease the nib-threads anymore. 

Thanks for going through the review. 
More pen and paraphernalia reviews here.
There is a review of the Florentine Hills here.