Saturday, August 31, 2024

A quick preview of Kyuseido Kakari with double-stack reverse tousen grind

FIRST IMPRESSIONS

I finally got my hands on the almost famous Kyuseido Kakari. I chose the double stack nib, because I was enamoured by the idea of regular writing, and partly because I was fascinated by the psychology behind paying a bomb for a metallic brush. Jokes aside, with time & practice, I hope to use the broader side for calligraphy. My 3 year old wanted his airplane to be in the frame, even though it's not even 3 weeks old and you can already see the condition of the Beluga scale model. So here's the picture.
The Kakari is a handsome pen, vaguely reminding me of my Conid Kingsize demonstrator with titanium ends, although it has a completely different nib. The filling system with the hook-like structure, seems more mechanical and less sophisticated than a Conid, but I found its functionality to be quite the opposite. The cleaning process is somehwat superior to that of a Conid - two flushes and it's completely clean. Plus, it eliminates the need of a ink-breaker. Here is the exquisite work of art with the double stack nib. CY is quite an artist.
The reverse side of the nib, which is almost a BB-3B grind is incredibly smooth, with a generous ink flow enhances the experience. I am confident that the ebonite feed is well engineered to keep up with it.
My issue is with the regular writing side. It's a Japanese fine, but way too sharp for my taste. I prefer writing with nibs that offer some control. This one grips the paper fibres and leaves marks on it, even with a light touch. I had a word with Kyuseido team, they are happy to adjust and smoothen the nib. I understand CY is a one-man team handling the nib-work but I do still expect better QC than Visconti.
 
Last but not least, this is a lovely pen with its own pros and cons. In my not so humble opinion, it's quite different to a Conid! Paul's lovely review does more justice to the Kakari.

SOME WRITING




Thursday, August 15, 2024

A utilitarian review of a few pen cases

PRELUDE

A search loop for the perfect ONE and then the more perfect OTHER

With great fountain pens comes an even greater responsibility of carrying them around in this mortal world, where inadvertent scratches, dents, and corrosion become inevitable. Thus begins my search for sheaths and containers to protect these fine instruments, which have earned a reputation for being mightier than the sword; at least for the past 175 years. I digress; I wonder why the keyboard was never celebrated in the same way when it emerged around the same time as the original quote.


BACKGROUND AND OPINIONATED TRUTHS

Experiments, measures and opinion 

I like to use a few fountain pens during my travels for note-taking and journaling. While I could use the original boxes for my limited collection, they tend to take up unnecessary space in my cupboard. Some of these cases are beautifully made, while others are more ordinary. That's where a storage pen case comes in handy. One advantage is that you can see multiple pens together to help with selection, or perhaps just to avoid making a choice. For example, I often tell my Opus 88 Jazz to just lie there, which has been my unfortunate treatment of that pen ever since I got it.

                    In my case, the search has usually been for a value-for-money options. It’s rare to find a case that costs as much as a pen, but this highlights the absence of worthy alternatives. Another aspect is that in India, leather goods are available at a fraction of the cost compared to the West, although there is less general understanding of the premium quality of higher-grade leather materials. By a stroke of luck, a couple of us met Michael, a leather importer based in California, who sources leather from India, China, and Thailand. He supplies leather to some well-known premium brands, with the final products ranging from premium car seat covers to women’s bags. He explained what typically gets exported versus what is consumed domestically in these countries. Michael also described the leather qualities and grades he looks for when evaluating a shipment from the tanneries. By the way, you can check out some interesting expositions on leather grades and types here, and here’s a brief write-up on leather quality if you’re short on time or patience:

  1. Full Grain: The highest quality. A cut of leather consisting of the outer layer of hide, left unsanded and unbuffed to retain its natural imperfections. It has a strong and durable surface.
  2. Top Grain: The top layer is sanded to remove imperfections, which reduces some of the strength and water-repellent qualities of full grain leather. It is commonly used in handbags, wallets, and shoes.
  3. Corrected: A broader term often referred to as genuine leather. It can be any layer of hide that has been treated to create a uniform surface. Commonly used in belts, wallets, bags, gloves, and shoes.
  4. Split Grain: A layer cut from the lower levels of top grain leather. It is not as dense, tight, or durable as full grain or top grain leather.
  5. Reconstituted & Recycled: Leather scraps are bonded together using polyurethane or latex. 

Here are a list of leather finishes:

  1. Aniline: Dyes allow natural surface of leather to show through. 
  2. Semi-Aniline: Similar to aniline but with added pigments.
  3. Faux: Also known as PU, Vegan or Vinyl leather. Is made of polyurethane and made to mimic real leather.
  4. There are many more types (12+), but they may not be relevant to our search for pen cases and sleeves.

Leather tanning is the process of treating hides to clean them of dirt, blood, and hair. This process alters the protein structure of the hide to make the leather durable and less susceptible to decomposition. 

  1. Vegetable tanning: This method uses natural materials or tannins derived from plants and bark, which are astringents. It’s an ancient, environmentally friendly process.
  2. Chromium tanning: Chromium sulfate is used for a faster and cheaper tanning process, offering more color options than vegetable tanning. The hair and flesh are removed before the tanning process.

Leather hides are graded as 1, 2, 3, or non-tannable, depending on the imperfections in the hide. The top-of-the-line branded pen cases are made from full grain cowhide leather with an aniline or semi-aniline finish.

The case proliferation in my situation is rather proportional to the larger pen dimensions rather than the number of pens in my relatively limited collection. I found it increasingly inconvenient to carry flagship pens like the Wahl-Eversharp Decoband, Pilot Custom Urushi in the Pelikan TG32 three-pen case. While the Decoband fits inside Visconti Dreamtouch comfortably, the Custom Urushi does not. These pens could be a part of an everyday carry unlike a Namiki Emperor, unless you of course dare to carry it. In this situation, the Cross Leather Pen Box came to my rescue, but its dimensions pose a problem for my laptop bag if I want to carry two or three more standard pens.

        Given the rapid progress in design, manufacturing and evolving human desires, here are my standard set of guidelines, refined over the years, while looking for pen cases (YMMV):

OBSERVATIONS & EXPERIENCE

In Context

Here are the pen cases I have acquired over the years:

Single pen cases



  1. The Black Canvas Pen Capsule: Soft case. I got the English Violet variant which is made of top-grain chrome-tanned leather. The inside of the pouch is soft and velvety.
  2. Endless Companion Pen Pouch: Hard case. The company uses the term genuine leather which may indicate corrected leather. However, it seems well-made for standard pen sizes (such as a Lamy 2000, and it can stretch to fit a regular Montblanc 146) and has a matte buffed finish. The pen itself rests in a felt-like soft compartment, and the case is fastened by two buttons. They ensured that there is a felt-flap covering the exposed parts of a pen where it's buttoned.
  3. Cross Men's Leather Single Pen Box-Black: Hard case. Again corrected leather, but with ample space inside to house a Custom Urushi or WE Decoband. The flap is fastened with a magnetic closure, which is a nice touch. I have noticed some leather coming out off the edge of the flap from the newer of the two boxes, but this is what it is.
  4. Custom pen case for Namiki Emperor sized pen: Soft case. This was custom-made by fellow fountain pen collector Dr. Ashish Wakhlu for my Namiki Emperor pen. It’s good enough to protect the pen from minor scratches. From the texture, it seems like top grain or full grain leather with an aniline finish. It has some protection at the back.

No Cases Type Weight(g) L X W (cm) # of Pens Available Width/Pen(cm) Used Since Purchased From Made by Buy Price (2024 US$)
1 TBC Leather Pen Capsule Open 15 16.5x3.8 1 3 2023 theblackcanvas.in The Black Canvas $6
2 Endless Companion Pen Pouch Button,Double Flap 45 16x4.9 1 3 2024 in.madebyendless.com Endless India $13
3 Cross Leather Single Pen Box Magnetic Closure 46 15.8x4 1 3.3 2019 Amazon Cross/Torero $7
4 Custom Namiki Emperor Case Flap with loop 20 16.5x3.6 1 3.3 2019 ashish.wakhlu@gmail.com Dr. Ashish Wakhlu $8


Multi pen cases






  1. Arista Leatherette Case for 6 pens: Hard case. I have two of Arista pen cases that I got from Amazon, primarily for storage. They’re lined with felt and have a partial over-layer to protect the finials from brushing against the zipper. It’s somewhat partial towards the pens in the first and last slots. Made of polyurethane, it closely mimics Saffiano leather and has a nice touch with bumpers at the base.

  2. The Black Canvas Jotbox: Soft case. A nice box for keeping pencils, parallels, and rulers reminiscent of the good old school days. It’s made of top-grain leather, and is pretty well made.
  3. Aegean Leather Case for Namiki Emperor/Pilot Custom Urushi: Hard case with pen tray. This is the most expensive case I own and it’s excellently made from Italian buttero leather. Full-grain, vegetable-tanned, aniline finish - this case checks all the boxes. I bought it to carry the Custom Urushi in my bag, may be sometimes the Emperor too.
  4. Pelikan Leather 3 Pen Case: Hard case with soft flap. Top notch full-grain, vegetable-tanned leather with aniline finish, but for medium sized pens. It’s good enough for a Pelikan M800/1000 or a MB 149. 
  5. Visconti Dreamtouch Case for 3/6 Pens: Hard case with zippered flap. Felt inner lining. This is my favorite case and checking all boxes for full-grain, vegetable-tanned, aniline finish leather. The one with 6 pens hasn’t seen much motion, but it’s absolutely defies ageing, even after 10 years. I occasionally use a standard neutral shoe cream to polish them.
  6. Brown Bear Classic Pen Case for 2 Pens: Hard case with magnetic closure. By the looks of it, the case seems to be full-grain with an aniline finish. Its pretty sturdy and well made, with a single soft divider. The dimensions are good enough to hold a Pelikan M8XX sized pen. Their men’s wallets made of nappa leather hold well too.
  7. Essart Pen Case for 10 Pens: Hard Case with magnetic button for the flap. The lid  has a transparent portion to get a quick account of pens inside. The frame is wooden and sturdy, with each pen slot lined with felt. It’s pretty & perfect for storage. 

No Cases Type Weight(g) L X W (cm) # of Pens Available Width/Pen(cm) Used Since Purchased From Made by Buy Price (2024 US$)
1 Arista Leatherette Zipper,Single Flap 200+ 15.5x14.2 6 2.2 2023 Amazon Arista $18
2 The Black Canvas Jotbox Zipper 54 18.5x5.5 6-8 N/a 2024 theblackcanvas.in The Black Canvas $12
3 Aegean Leather for Namiki Emperor Pen Tray, Single Flap 113 16x5 2 2.4 2024 Etsy Aegean Leather Co (Turkey) $200
4 Pelikan Leather 3 Pen Case (TG32) Single Flap, Adjustable Dividers 36 10.5x5.1 3 1.6 2014 Martiniauctions Pelikan $47
5a Visconti Dreamtouch (6) Zipper,Single Flap 123 15x14 6 2 2015 Martiniauctions Visconti $100
5b Visconti Dreamtouch (3) Zipper,Single Flap 68 15x7.5 3 2.4 2019 Fontoplumo Visconti $72
6 Brown Bear Classic (2) Single Flap, Adjustable Dividers 49 13x3.7 2 1.8 2024 Amazon Brown Bear $18
7 Essart Pen Case (Wood/PU) Lid, Magnetic Buttons 400 24.5x19 10 2 2021 Amazon Essart $12


Methodology

The pictures below depict the way in which I have measured the inner length and available versus total width of these pen cases. 


MY TOP PICKS

If I had to pick one



Thank you for going through the review. 
You can find other pen and paraphernalia reviews here
  

REFERENCES



Thursday, June 20, 2024

Review of the SCRIBO Feel Melograno : My search for an Omas-worthy nib

PRELUDE

Compensating for missing out on an Omas Extra Flessible nib


I managed to snag an Omas Arte Italiana Vision fountain pen back in 2015 when Omas was still around. The Art Vision in green/emerald with a medium nib is absolutely adorable and perfectly showcases the design flair Omas was known for. Just take a look at the ruthenium-plated ‘O’ on the finial! However, the extra-flessible has nib always intrigued me, especially when Omas launched the Ogiva Alba & Cocktail series with that option. But my courage couldn’t match my budget or rather the lack of it. So in mid-2020, I went for a Scribo with a Feel the Flex nib to address this emotional gap. A chat with ever-gracious Frank from Fontoplumo assured me that Scribo indeed had the Omas equipment as the other reviews suggested, so the nibs would be similar, if not identical. Somehow, the newly resurrected Omas pens don't quite capture the finesse that the classic Omas pens had in abundance.


PRESENTATION (3/6)

A cardboard box and a canvas wrap


The packaging is pretty basic and seems to be a combination of eco-friendliness and cost-friendliness. The cardboard box didn’t survive my move, it looked like it lost a fight crumpled under a paper weight. So, no photos or fond memories of the box. I mean, if you're charging over $500, wouldn't it make sense to spend 1/20th of that on a box that doesn't self-destruct? Anyway, rant over, I did manage to keep the off-grey canvas wrap, so at least there's that!

As you can see, the wrap can carry two pens and a polishing cloth. Alas! they forgot to include the polishing cloth.

DESIGN (4/6)

Somewhat Greek-y Functionalism sans a Greek-key


I had the chance to chat with Luca from Scribo, who I later found out is the founder of the company. This conversation happened because the metal parts of my pen decided to oxidise themselves within a month. Rust spots popped up all over the cap band and parts of the clip, like the pen had gone on a deep-sea dive. I was shocked to see such quality issues with the plating so soon. Even my Platinum #3776 took a good 3-4 years to show off how thin its gold plating was, but for the price and the gold nib, I could live with it. 

 A penalty of -2 for all the trouble, but the excellent customer service from Luca within COVID-19 restrictions adds +1. Luca and his team handled all the issues with incoming customs when the product was mistakenly declared as merchandise by the postal department here. He was gracious enough to send a free sample bottle of Rosso Melograno ink along with the pen. I love the colour more than Rosso Chianti which would be the one to go with the pen.

Melograno in Italian translates to pomegranate tree. One of the reasons I chose this variant is that I did not have any fountain pens in those hues, unless you consider a Platinum 3776 in burgundy to be one. Especially with the subtle play of maroon, pink, and white streaks in a cracked ice pattern, the pen becomes quite attractive. The pen feels substantial in the hand, thanks to its hourglass design and gentle tapering at the finial ends. It is slightly larger compared to an Omas Vision/Paragon, which initially felt a bit odd. 

      The legendary dodecagonal structure is aesthetically pleasing and prevents the pen from rolling off surfaces. Compared to Omas, I feel the Scribo Feel leans more towards functionalism rather than aesthetics. Unlike the Omas, there is no Greek-key design on the cap band, and I feel the design has been somewhat rushed for the sake of modernism, with quick parallel lines.

The uncapping is quick and takes about 1.25 turns for the cap to come off - perfect for those impatient moments. A nice touch is the continuation of the dodecagonal structure into the section. 

The section itself is long and comfortable to hold, ending with a rhodium-plated ring for that extra bit of bling. More on that later. Somehow, I probably expected a classic Omas-like Greek key design here too, but I guess they decided to leave ancient history in the past.

Now, coming back to the cap, it feels substantial with its spring-loaded convex clip that curves into a concave arc towards the end. The clip is one of the best functional parts I've used, much like the GvFC clips. The cap band is adorned with parallel lines and proudly displays SCRIBO, which stands for Scrittura Bolognese or "Bolognese writing," alongside their slogan, "Feel the Writing”. And yes, it does feel very comfortable while writing, like a handshake from an old friend.

        The finial, or cap medallion, is inscribed with a feather quill and features some parallel lines running along it. The cap gently tapers towards this end. Nothing too remarkable here.


FILLING & CLEANING SYSTEMS (6/6)

A convenient piston filler


The piston mechanism is very well made and seems functionally superior to the Omas Vision I have, in terms of suction and smoothness of operation. However, Pelikans are probably the best of the lot.

The piston fills up smoothly with 1.3-1.4ml of ink. The mechanism includes a brass/metal sleeve, adding some extra heft to the Feel. No complaints here—it works like a charm. My only gripe, shared by a few others, is the lack of an ink window. With the flexible nib and wet ebonite feed, this pen runs out of ink faster than others with similar ink capacity.


NIB - ALL THAT MATTERS (5/6)

The Extra-Flessiblity 


The Scribo Feel series boasts an array of around 10-12 different nib variations, now including both 18k stock and 14k flexible nibs. While I haven’t had the pleasure of using an 18k nib yet, I imagine it’s as soft and luxurious as an Omas. The 14k ones are meant to cater to our extra-flessible desires.

      Love it! Except for the inscription. The 14k feel the FLEX, Fine nib. It’s  simultaneously one of the most beautiful nib in terms of writing and unappealing in terms of design. While it may have the writing charm of Omas nibs of yore, the embossing of slogan, company and gold content of the nib residing within an elongated hexagon doesn’t market the nib well. But I do not think the Omas extra-flessible nibs had much to offer either.

Speaking of shape, the nib bears a striking resemblance to the Omas Art Vision.

Once you turn the nib, the first thing you'll notice is the feed, and then the tip. The tip appears to have a sort of an elongated bulb. The feed has the exact same structure as an Omas. It’s a heat set black ebonite feed and supports the wet ink flow very well. In theory, ebonite attracts water as it is hydrophilic as opposed to hydrophobic plastics which repel water, thereby wetting more efficiently under the nib. 


PHYSICS OF IT (6/6) – RELATIVELY SPEAKING

The Newtonian Laws


The overall capped length measures approximately 15 cm. The section offers one of the most comfortable grips in my collection, with a diameter ranging from approximately 1.1 to 1.2 cm.


Below are pictures along with a Sailor Pro Gear Fujiyama Realo for a comparative reference. It was in rotation and sitting pretty, so I thought of taking a few pictures with that. Normally, I would post a standard Sailor Pro Gear, while writing. 

Here go the dimensions.

  • Uncapped Length ~ 13.5 cm
  • Total Length ~ 15 cm
  • Exposed Nib Leverage ~ 2.5 cm

The weight of the pen is comforting even without the cap.

  • Overall Weight ~ 37.6 g (inked, without cap ~20.5g)


ECONOMIC VALUE (4/6)

Functionality vs Price


I paid the full MRP for this pen. While it's finely engineered, I find it lacking in overall aesthetics compared to the venerable Omas pens of yore. Given the premium price, I would expect a more pleasing design on the cap band, thicker plating to prevent oxidation within 2-3 years, a more attractive cap medallion, and some attention to the inscription on the nib. Additionally, there are some micro spots of oxidation appearing on the trims, which are visible in the photos.


WRITING & FINAL COMMENTS (4.7/6)

Pleasure to write with, aesthetics need to scale up


The writing experience with this nib is among the softest I've encountered, responsive to pressure and writing style. Even without intentionally flexing the nib, its natural tendency to vary strokes is impressive.

   This nib writes wet without any issues of drying out or railroading. The slight feedback it provides is more about control than a flaw. With moderate pressure, the nib flexes, opening its tines and increasing ink flow. I handle it with care.

On Endless Regalia 80 GSM paper, using Iroshizuku Yama Budo ink, lines take approximately 45-55 seconds to dry. While I'm not particularly inclined towards flex writing, the nib does offer pleasing line variation.

I've been using this pen on and off since 2020, and it has become an essential part of my rotation. One crucial aspect is the approximately 3cm long, polygonally contoured section, which provides an incredibly comfortable writing experience. I find the section threads non-intrusive while writing. I appreciate Scribo's differentiation from Omas, as highlighted in Dries' excellent review. However, I can't help but feel that the aesthetics have declined from Omas' standards. I would prefer the pen to have metal sections that are better finished and don't oxidize every couple of years. Now, over to Luca and team to make those improvements.


Thank you for going through the review. 

You can find other pen and paraphernalia reviews here

  

REFERENCES

The Pencilcase Blog

Scribo - About Us

Sunday, April 14, 2024

Pursuit of an almost elusive Pilot Bamboo

 PRELUDE

A sharp twist in the clip


This is going to be an unrated review in addition to an eulogy for one of my beloved blue Pilot Bamboo pens, which met its ultimate demise at the hands of an evil FedEx carrier. I would probably have spent more time pondering this loss, than Juliette would have done while finalizing the pen's design. Okay, I was joking. To bring this narrative to a point, I had noticed that the clip had lost its rose gold plating over the years. When I received confirmation from Namiki Repairs, along with their generous offer to re-plate the clip for a service fee, I was filled with joy.

       So, I packaged the pen in my ever-trustworthy Sheaffer hard shell box. This box has been my faithful companion for servicing various pens (including a Scribo, Pelikan M800, Pilot C823, and more) over the last few years. It has traveled to Germany, Italy, and probably a few other countries across the globe without even getting a crack. However, this trip from San Francisco to Florida was doomed.

                   I kept the fountain pen section with me and sent the pen with the rollerball attachment. I thought I had packaged it well with bubble wrap and other protective materials, drawing from my own experience of sending pens for repair both domestically and internationally. I shared the below picture the fountain pen community on Reddit, and the group chimed on the importance of armor-like packaging for expensive items, citing the continuously degrading logistics services of carriers like FedEx.

    As fate would have it, I had insured the pen at a relatively lower amount ($200) when shipping it. However, FedEx eventually approved the claim for $200 plus shipping costs. The FedEx representative had suggested a lower amount, around $20, but fortunately, I didn't heed that advice. I am still awaiting the arrival of the reimbursement check.


Then, when I reached out to Regina Martini, who always seems to have a few more pieces of rare pens, I was fortunate to find a store sample (a black rollerball) at a good price. It arrived within 3 days.



PRESENTATION


The luxury of yesteryears


The second Bamboo came in a luxurious packaging, probably meant for European markets. White cardboard box market with the Pilot logo, with a pull out ribbon, oh that finesse of gifts of yore. I appreciate it in its essence, since these boxes are temporal and will eventually find their way into the recycling plant.

Once you pull out the sleeve there is foam cut to compartments. The middle one houses the Bamboo pen inside a black Pilot branded cotton sleeve. And since it’s a rollerball there are two spare refills thrown inside the box. The papers are in the last compartment, which carry branding of Pilot Corporation of Europe.

The instruction manual seems generic one meant for fountain pens. I highly doubt that Regina has very kindly shipped me a spare box meant for the fountain pens, since this pen was a store sample.



DESIGN 


Symbolism 


The Bamboo pen, as per the original sales description, is meant to represent the shape of a bamboo stem, which symbolizes enlightenment in Buddhism. Buddhist literatures mention that King Bimbisara presented a bamboo grove to Lord Buddha and his community of monks. The characteristics of a bamboo stem - strength, flexibility, and growth, are synonymous with qualities valued in Buddhism. In certain Asian cultural precepts such as Feng Shui or Vastu Shastra, bamboo is believed to bestow divine providences such as peace, joy, and positivity. A book called Old Path White Clouds by Thich Nhat Hanh, contains stories of the Buddha from his many lives, and I found deep inspiration in it during my teens.

             The pen was designed by a French designer named Juliette Bonnamour, who purportedly had a passion for writing instruments. In my humble opinion, she was quite successful in amalgamating certain cultural aspects with a writing instrument. 

The pen itself has an appealing appearance, resembling a bamboo stem with slightly angled/tapered finials on either end. While a bamboo is hollow, I would liken this structure more to that of a sugarcane. However, naming it Namiki Sugarcane would have been inappropriate, if not ungodly. Let's stick with Bamboo.

                 The curvature of the pen is quite unique compared to others. It's akin to a graduated cylinder, thinnest at the barrel end and gradually increasing in diameter as it approaches the midsection where the cap threads meet the barrel threads. Then, there's a slight decrease in diameter as it reaches the cap end of the finial. There are around seven rings around the midsection of the barrel.   

        

In Buddhism, there are seven factors of awakening: mindfulness, study, energy, joy, tranquility, concentration, and equanimity. While it's uncertain whether these influenced the design of the Bamboo, the number seven holds a degree of sacredness in Vedic philosophy as well. It is said that one must pass the kundalini through the seven energy centers or chakras to achieve enlightenment.

The cap unscrews from the barrel with 1.75 turns, revealing why this pen feels so substantial in hand. The threads on the barrel, as well as the inside threads of the cap, are metallic. There is a step down from the barrel, and the rollerball and fountain pen sections are very similar in design, each adorned with a lone steel ring on the section. The continuity of the bamboo rings is evident in the design of the pen itself.

In this case, the cap features a rose gold clip, which is not a usual Pilot clip. It has a slightly convex curvature with some resemblance to a bamboo stem. The plating shows some wear, but I can live with it for now. The finial although unadorned, carries its own imprint. The tapered finials of the cap and the barrel always align themselves to meet at a finite angle.



FILLING & CLEANING SYSTEMS 


Cartridge Converter (Rollerball barrel can take in a CON-40/20/50/B not a 70)


The barrel unscrews from the section with almost four turns. As you can observe, the section has metal threading that syncs with the metal threads of the barrel.

Since this is a rollerball, it cannot accommodate the longer CON-70 converter without compressing the inner spring at the end of the barrel. However, the other proprietary converters or even cartridges fit well. I have tested the pen with a CON-40/20 and a CON-B converter, and they work fine with the rollerball barrel. I have a quibble about ink capacity, but it doesn't matter in the grand scheme of things. I found it easier to clean the section with the eye dropper that comes with a Pilot Parallel.



NIB - ALL THAT MATTERS


Frost-smitten


Pilot #10 14K. The nib was originally released in three stock widths - F, M & B across Japan and other countries. The frosted frontiers create an elegant contrast to the rest of the white silvery luster of the nib. An elongated hexagonal imprint separates the design from the outer shoulders and tines, featuring arabesque decorations within its borders, encompassing the circular breather hole in the center. 

              The branding and nib specifications of PILOT, 14k-585 (58.5% Gold Alloy) are imprinted below the breather hole, along with the nib size and width. The date code on the left shoulder of this nib is A903 (Plant-Month-Year), indicating a manufacturing period of September 2003, with symbol A signifying the Hiratsuka factory's production line A. Below is a list of codes sourced from Richard Binder’s blog, which may be helpful if you're just beginning to survey all the Pilot nibs you own. I did that already.

T: Tokyo factory (in Shimura, Itabashi ward)

H: Hiratsuka factory (in Kanagawa prefecture)

A: Hiratsuka, production line A

B: Hiratsuka, production line B

F: Thailand, Burma, India, or Brazil

Once you turn the nib, the first thing you'll notice is the feed. A standard bluish grey plastic feed with moderately spaced fins with a decently sized feeder hole delivers the good ink buffer. These feeds are pretty well made and render moderate wetness to the nibs.



PHYSICS OF IT – RELATIVELY SPEAKING


The Newtonian Laws


Although there's a step down from the barrel to the section, I find it comfortable to grip. The diameter of the gripping section is larger than that of a typical Pilot 742 series or a similar pen (such as a Dunhill AD2000) with a #10 nib, due to the additional piece of concentric cylinder above the aesthetic ring of the section. The weight is well balanced by the metal inserts in the barrel, cap, and section.


Below are the pictures along with a Conid Minimalistica for a comparative reference. 

Here go the dimensions.

  • Uncapped Length ~ 12.9 cm
  • Total Length ~ 15 cm
  • Exposed Nib Leverage ~ 2.2 cm

The weight of the pen is comforting even without the cap.

  • Overall Weight ~ 32.5 g (inked, without cap ~19g)



WRITING & FINAL COMMENTS


Writes soft and beautiful


The writing experience with this nib so far matches the experience I have had with other 14k nibs from Pilot, including the superb #15 nib of a Custom 823. The nib writes moderately wet, without any issues of drying out. It writes softly with a hint of feedback and a sense of control, which is perfect for me, though less springy than a #15 nib.

            This is a relatively stiff nib, even though some line variation can be achieved with moderate pressure. It's not quite my preference, but its softness more evident than, say a Sailor 21k nib on the 1911L or its equivalent. On Endless Regalia 80 GSM paper, the drying time for lines with Sailor Yama Dori ink is approximately 25-30 seconds.

      One aspect to consider regarding the step in the section is that the Bamboo provides a longer section compared to the typical 742 or a similar pen equipped with a #10 nib. Compared to a Dunhill AD2000 the pen appears to have a longer section. I find the AD2000 18k nib somewhat softer than the Bamboo. 

       I do not think that the pen was designed to be posted given the metal threading inside the cap. The Bamboo feels quite well balanced even without posting the cap. To be honest, the rollerball version is also a pleasure to write with. 

Thank you for going through the review. 

You can find other pen and paraphernalia reviews here

  

REFERENCES


Nib Codes