Pursuit of an almost elusive Omas 360

PRELUDE

The never ending search of NOS Omas-es

My love with Omas began with a dodecagonal (12-faceted) Omas Vision back in 2015. Like a fleeting teenage romance, it turned out to be as ephemeral as it was passionate, as the 90-year old company filed for bankruptcy the very next year, in 2016.

                            For years, I never managed to acquire another Omas ,until late 2024, when I crossed paths with Tom Westerich (penboard.de). This inadvertent meeting led me to acquiring a few more Omas pens: a beautifully fluted 2003 Ogiva from Tom, an Europa later from Regina (martiniauctions) and a 360 dating back from the 1990s to early 2000s, courtesy of Marco (penboard).

Now, I feel my pursuit for Omas pens has reached it’s conclusion though seemingly intelligent people who love ballpoint pens would see it as redundant. Among the pens, the 360 in Venice blue stands out. It came with a titanium emotica nib (semi-flex, by the way which original Omas nib isn’t!). Marco, in a gesture of old-school trust graciously refused payment until I received the pen and tested it, a courtesy likely extended because of my connection with Tom.

        The 360 seems to be a pen of legend, evoking tales of endless delight and occasional heartbreak from its end users. Nonetheless, I am going to exalt the 360 in this review and here is why!

HISTORY

The luxury of yesteryears now withered away

According to the listing, the pen came without a box but did include its original pen sleeve - sporting a matching blue color or rather, what remained of it after 30 years of loyal service. Back then, Omas wouldn’t have left a stone unturned, when it came to presenting their exquisitely crafted pens.

              The history of the 360 design is a fascinating tale, well-documented in this FPN comment. Apparently, in the 1990s, Omas was inundated with fountain pens sent in for nib repairs. The culprit? Users who apparently gripped the fountain pens incorrectly! Enter Miss Malaguti (refers to Raffaella Simoni, Armando Simoni’s daughter), who had a lightbulb moment: why not design a pen that forces users to hold it the right way. This stroke of genius led to the triangular 360, but it also created a new engineering challenge: how to cram their standard cylindrical piston mechanism into a triangular barrel. The solution? Stretch the pen’s size, making it significantly larger than Omas’s typical offerings. I discovered this firsthand when I held the 360 - it’s as big as the Scribo Feel, though without the heft.

DESIGN

An Equilateral Triangle

The Omas 360 (Venetian blue cotton resin), released in 1996, is often hailed as the brand's last major design innovation, featuring its iconic triangular body and grip. I’ll admit, the idea of a triangular grip never seemed convincing to me - at least not until I actually held the pen in my hands. For this 360, the trims are in fact sterling-silver, a finish Omas fancifully called "HT" (High Tech) which included rhodium plated trims. My 360 does get a patina over time which can be cleaned out easily.

        Even after three decades, the pen manages to dazzle - though now in the muted hues of Venetian blue. The triangular facets give the pen a unique sense of curvature, something absent from the dodecagonal Paragon designs. At the finials, the gentle curvature is so precise it feels like it was sculpted by a mathematician in love with parabolas. The trims are simple yet elegant: a thin triangular ring followed by a thick center band adorned with the Greek key, meandros. Notably, unlike the more modern Omas pens from the company's later years (pre-2016 closure), this band doesn’t have "OMAS" stamped within the motif. Closed, the final trim cleverly highlights the piston knob - a small but satisfying detail.

The cap is snap-fit and pulls off with ease. However, I do have a minor quibble with the two-stage snapping mechanism. There’s a slight wobble during the second stage of uncapping, though it does seem to minimize the risk of ink spillage - a trade-off, perhaps. In my experience with premium fountain pen snap caps, the spectrum of quality is wide. At the top sits Faber-Castell (GvFC), while Sheaffer Legacy sits firmly at the bottom, scratching entire sections with the kind of determination that makes you wonder if it’s intentional. (Pro tip: If you want scratches to feel like a design feature rather than a bug, go all-in like the Lamy 2000. No offense to L2K lovers - I’m one of you!) Omas 360 comfortably lands in the top 10 percentile of snap-cap designs, at least in my limited experience and collection.

     Even without a magnifying glass, the trims bear the subtle marks of 30 years of ageing, lending the pen a certain vintage charm. The friction-fit clip arcs gracefully, with a concave taper that’s as functional as it is beautiful.

Opening the cap reveals a delightful cross-sectional symmetry at the section’s end: a thin triangular ring followed by the signature Greek-key band. There’s a minor step as you transition to the section, but it never interferes with writing comfort. The triangular grip is smooth and intuitive, with its three planes acting as natural guardrails to ensure proper nib alignment. The pen does feel larger, albeit lightweight, compared to other Omas pens fitted with #6 nibs.

FILLING & CLEANING SYSTEMS

Piston Filler, Easy to use though difficult to service

The piston filling system features a sturdy, pyramid-like knob at the end, along with two tiny metallic circles. These are the exposed ends of a brass pin that secures the blind cap to the piston mechanism. The knob requires a respectable 4–5 turns to move the piston to its end stop, and the mechanism works smoothly, drawing up an around 1.2 ml of ink from the bottle. The difference in weight prior and post filling the pen was 1.18g.

Now, when it comes to lubricating the piston mechanism, things get a bit...tricky. Unlike the Paragon or Ogiva series, where you can simply unscrew the section and go to town with your silicone grease, the 360 makes you work for it. You’ll either need to carefully pull out the pin at the piston end or remove the heat-set nib from the other end. Both approaches require caution, patience, and possibly a bit of meditation beforehand. Secondly, it takes a long time to clean the pen, some ink just keeps coming out from nowhere.

NIB - ALL THAT MATTERS

Titanium Emotica

My Omas 360 is equipped with a Medium Titanium Emotica-series semi-flex nib, which feels remarkably similar to a well-tuned Conid Ti nib. The size "M" is discreetly marked on the wing of the nib, while the material composition is etched towards its tail. The OMAS branding sits within an oval, adorned with some scrollwork that looks definitely inferior to the gold nibs. Fortunately, the nib arrived perfectly tuned, and I’ve had no complaints so far.

The heat-set black ebonite feed ensures a generous ink buffer and an unapologetically wet ink flow. Ebonite, being hydrophilic, attracts water, unlike its hydrophobic plastic counterparts. This makes ebonite exceptionally efficient at delivering ink to the nib.

There’s also a charming difference between Omas feeds of different eras. The modern feeds (circa 2015) showcase symmetrical fins on their exposed surfaces, giving them a neat, precise look. In contrast, the older feeds (1996–2003) embrace a minimalist aesthetic, with a plain design.

PHYSICS OF IT – RELATIVELY SPEAKING

The Laws of Ms. Malaguti

Although there’s a step down from the barrel to the section, it never interferes with writing comfort. The pen is large, much like the Scribo Feel, and proves to be quite comfortable for extended writing sessions. And to top it off, there’s no room for confusion when holding the nib, thanks to the ingenious design by Miss Malaguti.

Below are the pictures along with a Scribo Feel and a Pelikan M200 for a comparative reference.

Here go the dimensions.

• Uncapped Length ~ 13.5 cm

• Total Length ~ 15 cm

• Exposed Nib Leverage ~ 2.5 cm

The weight of the pen is comforting even without the cap.

• Overall Weight ~ 26 g (inked, without cap ~16g)

WRITING & FINAL COMMENTS

Writes wet and elastically

The writing experience is beautiful - easily rivalling any well-tuned Bock Titanium nibs. Thanks to the natural springiness of titanium, this nib delivers an experience so delightful it’s a joy to ink the pen again.

The nib writes wet and doesn’t suffer from major drying-out issues. I did encounter one hiccup: after leaving the pen untouched for a month, it required to prime the feed. I simply placed it nib-down for 2-3 minutes. This seems to be a recurring quirk with older Omas NOS pens. While writing, there’s a faint feedback reminiscent of graphite on paper, barely noticeable with wetter inks. With moderate pressure, the nib flexes, tines parting well to increase ink flow. The line variation is satisfying without requiring excessive effort, though I approach this titanium nib with the care of someone handling a 14k gold nib’s more temperamental cousin.

On Endless Regalia 80 GSM paper with Scribe Indigo ink, the drying time clocks in at 40 seconds - another proof of wetness. While I’m not a die-hard flex writer, the line variation is pleasing enough to bring a smile to our face.

After 2–3 months of use, this pen has secured its place in my Omas rotation. One of the standout features for me is the long section, which offers a great level of comfort as you settle into your perfect grip. The Omas 360 might have started as a design experiment, but it’s proven itself as a reliable one.

Thank you for going through the review.

You can find other pen and paraphernalia reviews here.

REFERENCES

• Omas 360 Design

• Omas Bankruptcy

• Omas Ogiva disassembly

• Omas Paragon (non-metal section) maintenance

• ​​​​​​​Omas 360 maintenance

• Omas Art Vision Review (metal section Paragon maintenance)

• Scribo Feel Review

A quick preview of Kyuseido Kakari with double-stack reverse tousen grind

FIRST IMPRESSIONS

I finally got my hands on the almost famous Kyuseido Kakari. I chose the double stack nib, because I was enamoured by the idea of regular writing, and partly because I was fascinated by the psychology behind paying a bomb for a metallic brush. Jokes aside, with time & practice, I hope to use the broader side for calligraphy. My 3 year old wanted his airplane to be in the frame, even though it's not even 3 weeks old and you can already see the condition of the Beluga scale model. So here's the picture.

The Kakari is a handsome pen, vaguely reminding me of my Conid Kingsize demonstrator with titanium ends, although it has a completely different nib. The filling system with the hook-like structure, seems more mechanical and less sophisticated than a Conid, but I found its functionality to be quite the opposite. The cleaning process is somehwat superior to that of a Conid - two flushes and it's completely clean. Plus, it eliminates the need of a ink-breaker. Here is the exquisite work of art with the double stack nib. CY is quite an artist.

The reverse side of the nib, which is almost a BB-3B grind is incredibly smooth, with a generous ink flow enhances the experience. I am confident that the ebonite feed is well engineered to keep up with it.

My issue is with the regular writing side. It's a Japanese fine, but way too sharp for my taste. I prefer writing with nibs that offer some control. This one grips the paper fibres and leaves marks on it, even with a light touch. I had a word with Kyuseido team, they are happy to adjust and smoothen the nib. I understand CY is a one-man team handling the nib-work but I do still expect better QC than Visconti.

 

Last but not least, this is a lovely pen with its own pros and cons. In my not so humble opinion, it's quite different to a Conid! Paul's lovely review does more justice to the Kakari.

SOME WRITING

Review of the SCRIBO Feel Melograno : My search for an Omas-worthy nib

PRELUDE

Compensating for missing out on an Omas Extra Flessible nib

I managed to snag an Omas Arte Italiana Vision fountain pen back in 2015 when Omas was still around. The Art Vision in green/emerald with a medium nib is absolutely adorable and perfectly showcases the design flair Omas was known for. Just take a look at the ruthenium-plated ‘O’ on the finial! However, the extra-flessible has nib always intrigued me, especially when Omas launched the Ogiva Alba & Cocktail series with that option. But my courage couldn’t match my budget or rather the lack of it. So in mid-2020, I went for a Scribo with a Feel the Flex nib to address this emotional gap. A chat with ever-gracious Frank from Fontoplumo assured me that Scribo indeed had the Omas equipment as the other reviews suggested, so the nibs would be similar, if not identical. Somehow, the newly resurrected Omas pens don't quite capture the finesse that the classic Omas pens had in abundance.

PRESENTATION (3/6)

A cardboard box and a canvas wrap

The packaging is pretty basic and seems to be a combination of eco-friendliness and cost-friendliness. The cardboard box didn’t survive my move, it looked like it lost a fight crumpled under a paper weight. So, no photos or fond memories of the box. I mean, if you're charging over $500, wouldn't it make sense to spend 1/20th of that on a box that doesn't self-destruct? Anyway, rant over, I did manage to keep the off-grey canvas wrap, so at least there's that!

As you can see, the wrap can carry two pens and a polishing cloth. Alas! they forgot to include the polishing cloth.

DESIGN (4/6)

Somewhat Greek-y Functionalism sans a Greek-key

I had the chance to chat with Luca from Scribo, who I later found out is the founder of the company. This conversation happened because the metal parts of my pen decided to oxidise themselves within a month. Rust spots popped up all over the cap band and parts of the clip, like the pen had gone on a deep-sea dive. I was shocked to see such quality issues with the plating so soon. Even my Platinum #3776 took a good 3-4 years to show off how thin its gold plating was, but for the price and the gold nib, I could live with it. 

 A penalty of -2 for all the trouble, but the excellent customer service from Luca within COVID-19 restrictions adds +1. Luca and his team handled all the issues with incoming customs when the product was mistakenly declared as merchandise by the postal department here. He was gracious enough to send a free sample bottle of Rosso Melograno ink along with the pen. I love the colour more than Rosso Chianti which would be the one to go with the pen.

Melograno in Italian translates to pomegranate tree. One of the reasons I chose this variant is that I did not have any fountain pens in those hues, unless you consider a Platinum 3776 in burgundy to be one. Especially with the subtle play of maroon, pink, and white streaks in a cracked ice pattern, the pen becomes quite attractive. The pen feels substantial in the hand, thanks to its hourglass design and gentle tapering at the finial ends. It is slightly larger compared to an Omas Vision/Paragon, which initially felt a bit odd. 

      The legendary dodecagonal structure is aesthetically pleasing and prevents the pen from rolling off surfaces. Compared to Omas, I feel the Scribo Feel leans more towards functionalism rather than aesthetics. Unlike the Omas, there is no Greek-key design on the cap band, and I feel the design has been somewhat rushed for the sake of modernism, with quick parallel lines.

The uncapping is quick and takes about 1.25 turns for the cap to come off - perfect for those impatient moments. A nice touch is the continuation of the dodecagonal structure into the section. 

The section itself is long and comfortable to hold, ending with a rhodium-plated ring for that extra bit of bling. More on that later. Somehow, I probably expected a classic Omas-like Greek key design here too, but I guess they decided to leave ancient history in the past.

Now, coming back to the cap, it feels substantial with its spring-loaded convex clip that curves into a concave arc towards the end. The clip is one of the best functional parts I've used, much like the GvFC clips. The cap band is adorned with parallel lines and proudly displays SCRIBO, which stands for Scrittura Bolognese or "Bolognese writing," alongside their slogan, "Feel the Writing”. And yes, it does feel very comfortable while writing, like a handshake from an old friend.

        The finial, or cap medallion, is inscribed with a feather quill and features some parallel lines running along it. The cap gently tapers towards this end. Nothing too remarkable here.

FILLING & CLEANING SYSTEMS (6/6)

A convenient piston filler

The piston mechanism is very well made and seems functionally superior to the Omas Vision I have, in terms of suction and smoothness of operation. However, Pelikans are probably the best of the lot.

The piston fills up smoothly with 1.3-1.4ml of ink. The mechanism includes a brass/metal sleeve, adding some extra heft to the Feel. No complaints here—it works like a charm. My only gripe, shared by a few others, is the lack of an ink window. With the flexible nib and wet ebonite feed, this pen runs out of ink faster than others with similar ink capacity.

NIB - ALL THAT MATTERS (5/6)

The Extra-Flessiblity 

The Scribo Feel series boasts an array of around 10-12 different nib variations, now including both 18k stock and 14k flexible nibs. While I haven’t had the pleasure of using an 18k nib yet, I imagine it’s as soft and luxurious as an Omas. The 14k ones are meant to cater to our extra-flessible desires.

      Love it! Except for the inscription. The 14k feel the FLEX, Fine nib. It’s  simultaneously one of the most beautiful nib in terms of writing and unappealing in terms of design. While it may have the writing charm of Omas nibs of yore, the embossing of slogan, company and gold content of the nib residing within an elongated hexagon doesn’t market the nib well. But I do not think the Omas extra-flessible nibs had much to offer either.

Speaking of shape, the nib bears a striking resemblance to the Omas Art Vision.

Once you turn the nib, the first thing you'll notice is the feed, and then the tip. The tip appears to have a sort of an elongated bulb. The feed has the exact same structure as an Omas. It’s a heat set black ebonite feed and supports the wet ink flow very well. In theory, ebonite attracts water as it is hydrophilic as opposed to hydrophobic plastics which repel water, thereby wetting more efficiently under the nib. 

PHYSICS OF IT (6/6) – RELATIVELY SPEAKING

The Newtonian Laws

The overall capped length measures approximately 15 cm. The section offers one of the most comfortable grips in my collection, with a diameter ranging from approximately 1.1 to 1.2 cm.

Below are pictures along with a Sailor Pro Gear Fujiyama Realo for a comparative reference. It was in rotation and sitting pretty, so I thought of taking a few pictures with that. Normally, I would post a standard Sailor Pro Gear, while writing. 

Here go the dimensions.

• Uncapped Length ~ 13.5 cm
• Total Length ~ 15 cm

• Exposed Nib Leverage ~ 2.5 cm

The weight of the pen is comforting even without the cap.

• Overall Weight ~ 37.6 g (inked, without cap ~20.5g)

ECONOMIC VALUE (4/6)

Functionality vs Price

I paid the full MRP for this pen. While it's finely engineered, I find it lacking in overall aesthetics compared to the venerable Omas pens of yore. Given the premium price, I would expect a more pleasing design on the cap band, thicker plating to prevent oxidation within 2-3 years, a more attractive cap medallion, and some attention to the inscription on the nib. Additionally, there are some micro spots of oxidation appearing on the trims, which are visible in the photos.

WRITING & FINAL COMMENTS (4.7/6)

Pleasure to write with, aesthetics need to scale up

The writing experience with this nib is among the softest I've encountered, responsive to pressure and writing style. Even without intentionally flexing the nib, its natural tendency to vary strokes is impressive.

   This nib writes wet without any issues of drying out or railroading. The slight feedback it provides is more about control than a flaw. With moderate pressure, the nib flexes, opening its tines and increasing ink flow. I handle it with care.

On Endless Regalia 80 GSM paper, using Iroshizuku Yama Budo ink, lines take approximately 45-55 seconds to dry. While I'm not particularly inclined towards flex writing, the nib does offer pleasing line variation.

I've been using this pen on and off since 2020, and it has become an essential part of my rotation. One crucial aspect is the approximately 3cm long, polygonally contoured section, which provides an incredibly comfortable writing experience. I find the section threads non-intrusive while writing. I appreciate Scribo's differentiation from Omas, as highlighted in Dries' excellent review. However, I can't help but feel that the aesthetics have declined from Omas' standards. I would prefer the pen to have metal sections that are better finished and don't oxidize every couple of years. Now, over to Luca and team to make those improvements.

Thank you for going through the review. 

You can find other pen and paraphernalia reviews here. 

  

REFERENCES

The Pencilcase Blog

Scribo - About Us

Pursuit of an almost elusive Pilot Bamboo

 PRELUDE

A sharp twist in the clip

This is going to be an unrated review in addition to an eulogy for one of my beloved blue Pilot Bamboo pens, which met its ultimate demise at the hands of an evil FedEx carrier. I would probably have spent more time pondering this loss, than Juliette would have done while finalizing the pen's design. Okay, I was joking. To bring this narrative to a point, I had noticed that the clip had lost its rose gold plating over the years. When I received confirmation from Namiki Repairs, along with their generous offer to re-plate the clip for a service fee, I was filled with joy.

       So, I packaged the pen in my ever-trustworthy Sheaffer hard shell box. This box has been my faithful companion for servicing various pens (including a Scribo, Pelikan M800, Pilot C823, and more) over the last few years. It has traveled to Germany, Italy, and probably a few other countries across the globe without even getting a crack. However, this trip from San Francisco to Florida was doomed.

                   I kept the fountain pen section with me and sent the pen with the rollerball attachment. I thought I had packaged it well with bubble wrap and other protective materials, drawing from my own experience of sending pens for repair both domestically and internationally. I shared the below picture the fountain pen community on Reddit, and the group chimed on the importance of armor-like packaging for expensive items, citing the continuously degrading logistics services of carriers like FedEx.

    As fate would have it, I had insured the pen at a relatively lower amount ($200) when shipping it. However, FedEx eventually approved the claim for $200 plus shipping costs. The FedEx representative had suggested a lower amount, around $20, but fortunately, I didn't heed that advice. I am still awaiting the arrival of the reimbursement check.

Then, when I reached out to Regina Martini, who always seems to have a few more pieces of rare pens, I was fortunate to find a store sample (a black rollerball) at a good price. It arrived within 3 days.

PRESENTATION

The luxury of yesteryears

The second Bamboo came in a luxurious packaging, probably meant for European markets. White cardboard box market with the Pilot logo, with a pull out ribbon, oh that finesse of gifts of yore. I appreciate it in its essence, since these boxes are temporal and will eventually find their way into the recycling plant.

Once you pull out the sleeve there is foam cut to compartments. The middle one houses the Bamboo pen inside a black Pilot branded cotton sleeve. And since it’s a rollerball there are two spare refills thrown inside the box. The papers are in the last compartment, which carry branding of Pilot Corporation of Europe.

The instruction manual seems generic one meant for fountain pens. I highly doubt that Regina has very kindly shipped me a spare box meant for the fountain pens, since this pen was a store sample.

DESIGN 

Symbolism 

The Bamboo pen, as per the original sales description, is meant to represent the shape of a bamboo stem, which symbolizes enlightenment in Buddhism. Buddhist literatures mention that King Bimbisara presented a bamboo grove to Lord Buddha and his community of monks. The characteristics of a bamboo stem - strength, flexibility, and growth, are synonymous with qualities valued in Buddhism. In certain Asian cultural precepts such as Feng Shui or Vastu Shastra, bamboo is believed to bestow divine providences such as peace, joy, and positivity. A book called Old Path White Clouds by Thich Nhat Hanh, contains stories of the Buddha from his many lives, and I found deep inspiration in it during my teens.

             The pen was designed by a French designer named Juliette Bonnamour, who purportedly had a passion for writing instruments. In my humble opinion, she was quite successful in amalgamating certain cultural aspects with a writing instrument. 

The pen itself has an appealing appearance, resembling a bamboo stem with slightly angled/tapered finials on either end. While a bamboo is hollow, I would liken this structure more to that of a sugarcane. However, naming it Namiki Sugarcane would have been inappropriate, if not ungodly. Let's stick with Bamboo.

                 The curvature of the pen is quite unique compared to others. It's akin to a graduated cylinder, thinnest at the barrel end and gradually increasing in diameter as it approaches the midsection where the cap threads meet the barrel threads. Then, there's a slight decrease in diameter as it reaches the cap end of the finial. There are around seven rings around the midsection of the barrel.   

        

In Buddhism, there are seven factors of awakening: mindfulness, study, energy, joy, tranquility, concentration, and equanimity. While it's uncertain whether these influenced the design of the Bamboo, the number seven holds a degree of sacredness in Vedic philosophy as well. It is said that one must pass the kundalini through the seven energy centers or chakras to achieve enlightenment.

The cap unscrews from the barrel with 1.75 turns, revealing why this pen feels so substantial in hand. The threads on the barrel, as well as the inside threads of the cap, are metallic. There is a step down from the barrel, and the rollerball and fountain pen sections are very similar in design, each adorned with a lone steel ring on the section. The continuity of the bamboo rings is evident in the design of the pen itself.

In this case, the cap features a rose gold clip, which is not a usual Pilot clip. It has a slightly convex curvature with some resemblance to a bamboo stem. The plating shows some wear, but I can live with it for now. The finial although unadorned, carries its own imprint. The tapered finials of the cap and the barrel always align themselves to meet at a finite angle.

FILLING & CLEANING SYSTEMS 

Cartridge Converter (Rollerball barrel can take in a CON-40/20/50/B not a 70)

The barrel unscrews from the section with almost four turns. As you can observe, the section has metal threading that syncs with the metal threads of the barrel.

Since this is a rollerball, it cannot accommodate the longer CON-70 converter without compressing the inner spring at the end of the barrel. However, the other proprietary converters or even cartridges fit well. I have tested the pen with a CON-40/20 and a CON-B converter, and they work fine with the rollerball barrel. I have a quibble about ink capacity, but it doesn't matter in the grand scheme of things. I found it easier to clean the section with the eye dropper that comes with a Pilot Parallel.

NIB - ALL THAT MATTERS

Frost-smitten

Pilot #10 14K. The nib was originally released in three stock widths - F, M & B across Japan and other countries. The frosted frontiers create an elegant contrast to the rest of the white silvery luster of the nib. An elongated hexagonal imprint separates the design from the outer shoulders and tines, featuring arabesque decorations within its borders, encompassing the circular breather hole in the center. 

              The branding and nib specifications of PILOT, 14k-585 (58.5% Gold Alloy) are imprinted below the breather hole, along with the nib size and width. The date code on the left shoulder of this nib is A903 (Plant-Month-Year), indicating a manufacturing period of September 2003, with symbol A signifying the Hiratsuka factory's production line A. Below is a list of codes sourced from Richard Binder’s blog, which may be helpful if you're just beginning to survey all the Pilot nibs you own. I did that already.

T: Tokyo factory (in Shimura, Itabashi ward)

H: Hiratsuka factory (in Kanagawa prefecture)

A: Hiratsuka, production line A

B: Hiratsuka, production line B

F: Thailand, Burma, India, or Brazil

Once you turn the nib, the first thing you'll notice is the feed. A standard bluish grey plastic feed with moderately spaced fins with a decently sized feeder hole delivers the good ink buffer. These feeds are pretty well made and render moderate wetness to the nibs.

PHYSICS OF IT – RELATIVELY SPEAKING

The Newtonian Laws

Although there's a step down from the barrel to the section, I find it comfortable to grip. The diameter of the gripping section is larger than that of a typical Pilot 742 series or a similar pen (such as a Dunhill AD2000) with a #10 nib, due to the additional piece of concentric cylinder above the aesthetic ring of the section. The weight is well balanced by the metal inserts in the barrel, cap, and section.

Below are the pictures along with a Conid Minimalistica for a comparative reference. 

Here go the dimensions.

• Uncapped Length ~ 12.9 cm
• Total Length ~ 15 cm

• Exposed Nib Leverage ~ 2.2 cm

The weight of the pen is comforting even without the cap.

• Overall Weight ~ 32.5 g (inked, without cap ~19g)

WRITING & FINAL COMMENTS

Writes soft and beautiful

The writing experience with this nib so far matches the experience I have had with other 14k nibs from Pilot, including the superb #15 nib of a Custom 823. The nib writes moderately wet, without any issues of drying out. It writes softly with a hint of feedback and a sense of control, which is perfect for me, though less springy than a #15 nib.

            This is a relatively stiff nib, even though some line variation can be achieved with moderate pressure. It's not quite my preference, but its softness more evident than, say a Sailor 21k nib on the 1911L or its equivalent. On Endless Regalia 80 GSM paper, the drying time for lines with Sailor Yama Dori ink is approximately 25-30 seconds.

      One aspect to consider regarding the step in the section is that the Bamboo provides a longer section compared to the typical 742 or a similar pen equipped with a #10 nib. Compared to a Dunhill AD2000 the pen appears to have a longer section. I find the AD2000 18k nib somewhat softer than the Bamboo. 

       I do not think that the pen was designed to be posted given the metal threading inside the cap. The Bamboo feels quite well balanced even without posting the cap. To be honest, the rollerball version is also a pleasure to write with. 

Thank you for going through the review. 

You can find other pen and paraphernalia reviews here. 

  

REFERENCES

Nib Codes