Showing posts with label Ambition. Show all posts
Showing posts with label Ambition. Show all posts

Saturday, August 29, 2015

The Faber-Castell Design Ondoro Orange Review

The Ondoro is another of my Faber-Castell Design (FCD) pens. These FCD steel nibs are common across the entire design product range - Basic, Loom, Ambition, Ondoro & e-motion and have been impeccable in my experience. My first pen from the design series was an Ambition. I feel that the Ondoro is structurally a much better pen, though it might lack a bit of aesthetic flair prevalent to the Ambition. Below is a link to this review on my blog:

                The Ondoro line comes with a fountain pen (with 4 different nib widths), a roller ball, a propelling pencil (0.7mm) and a ballpoint pen across three coloured resins - Orange, Black & White (now discontinued) and a wooden one (smoked oak) priced substantially higher.

PRESENTATION


The Ondoro along with the included converter was hand-delivered at my workplace by A.W Faber Castell India personnel, encased inside this moss-green cardboard box. This colour always reminds me of the Australian Baggy Green Caps. The box has a slider where the pen is placed beneath a fabric band on a felted bed, along with a warranty card and a cartridge. Like the pen, the box does portray certain elements of minimalism.


DESIGN - HEXAGON & CHROME (6/6)


The pen seems to have an innate affair with geometry, structurally constituted of two overlapping hexagonal prisms - one orange and other chrome, with domed ends. Bold and minimalistic both in terms of convergence and functionality. The barrel is glossy while the cap is shiny chrome plated metal. Unfortunately the mirror finishes have a magnetic attraction for fingerprints. Faber-Castell calls the barrel material precious resin and it does feel qualitatively substantial.

The metallic cap snaps on and off the barrel with audible clicks. While putting the cap on, the hexagonal facets of the cap need to be aligned with the ones on the barrel. There is some metal at the end of the grip which actually is part of an insert for the nib unit. And there rests the shiny FCD nib. The barrel is designed to converge with the section subtly initiating a concave taper at the end of its hexagonal facets, leading to a comfortably concave grip section.

The finials at either end have smooth and convex domes, the one at the end of a barrel carries a engraved circle or an ‘O’. 

A mirror finish on the hexagonal chromed cap will attract your attention while you keep resisting your instantenous urges to polish off finger-prints, even after the slightest touch. The dome like finial is etched with Faber-Castell logo of two jousting knights and embossed there is a traditional statement preserving antiquity - Since 1761. The spring loaded clip is shaped like an arc with a concave end. It’s engraved with GERMANY on one side of its loading point. A plastic insert inside the cap gives the snap-on friction.


FILLING SYSTEM (6/6)


The rather small resinous concavity at the end of the barrel unscrews from the body, with seven turns and it disengages the section containing the nib and CC filling system. There is a mention of e3 on the metallic thread insert, it’s apparently a reference to their old manufacturing plants.

The insert for the section threads with the metallic insert in the resin barrel. 

The converter says SCHMIDT on the piston along with the brand imprint of FABER-CASTELL Germany on the metallic sleeve. It has a reasonably high capacity of around 1 mL, and the ink does last for quite a while! I usually am biased towards piston fillers, but I like the capacity offered by Faber-Castell or Schmidt converters. In case of GvFC Converters, there is no mention of Schmidt on the converters themselves. This converter will snugly fit many other pens. 

NIB - ALL THAT MATTERS (6/6)


The nib is made of stainless steel alloy with an iridium tip. The initially available nib sizes featured F, M and B nibs, though an EF was made available later. I went with an F sized nib. Right out of the box, this was a very smooth nib.

           The nib has a perforated imprint of dots which cover a third of its surface area. There is a subtle absence of any breather hole. The nib-size is embossed above the traditional Faber-Castell Design logo of two jousting knights near the tail.

The feed is standard grey plastic, with a big filler hole for ink suction, which incidentally is used across the GvFC Intuition & Classic Series.

Faber-Castell Design (steel) nibs are sourced from JoWo whereas the GvFC nibs (18k except Tamitio) are made by Bock.

PHYSICS OF IT (5/6) – RELATIVELY SPEAKING


Sans the cap, the pen measures around 12.4 cm, which is quite comfortable for me given the wide girth. The cap can be posted easily. While the posted pen exceeds a 15 cm scale, a steel cap of 17g does make it top-heavy. 
  • Uncapped Length ~ 12.4 cm
  • Capped Length ~ 12.8 cm
  • Posted Length ~ 16 cm
  • Nib Leverage ~ 1.9 cm
  • Overall Weight ~ 32 g (Cap Weight ~ 17 g)
Some capped, uncapped & posted references with a few pens like GvFC Intuition, Pelikan m205 and TWSBI 580 run below for your reference.

Terracotta is much redder than the orange in an Ondoro
 Uncapped the Ondoro almost matches a TWSBI 580
 Not posted!

ECONOMIC VALUE (5/6)


The Ondoro resin versions retail at around USD 125. I purchased it with a good discount, directly from A.W Faber Castell India, as there were some warranty issues with my other Faber Castell pen. I believe it’s a good value for money pen and given such a beautiful nib, which can defeat any other.

OVERALL (5.6/6)


This nib is moderately wet, runs fine and smooth. There is absence of any line variation among horizontals & verticals. The nib has got some spring and a touch of softness. I find the grip very comfortable to hold the pen, you might say a little bit of barrel weight could have blessed this one. I will definitely recommend this pen to you, if you are looking at the Faber Castell Design Series. 
                      
             Being a moderately wet writer out of the box, the Fine nib puts a decent fine line (finer than TWSBI F) which takes around 15 seconds to dry a wet MB Toffee brown ink on MD Paper.

REFERENCES



Thank you for going through the review.
You can find some more pen and paraphernalia reviews here.

Wednesday, March 4, 2015

An Intuitive conversation with the Graf von Faber-Castell Intuition

THE INTUITION


With a covetous eye on this pen, since the time I had got my FCD Ambition and then an orange coloured Ondoro fountain pen, it indeed required lady luck's blessings to get this one at a steeply discounted price. I must say, that there was already a strange sense of loss of colours, after I had parted with both of my orange coloured fountain pens - Ondoro and later a Pelikan m205. And this seemed to be an appropriate treatment for my colour blindness. Coming to the Faber-Castell Design (FCD) and the rather luxurious Graf von Faber-Castell (GvFC) line of pens, I must say that they have been able to splendidly highlight the art of convergence of design and utility. The Intuition pen comes in six lines of resin-based designs and two (earlier three) lines of wood-based designs. The wooden designs are called Intuition Platino Wood which is an enhanced intuition design altogether, be it the fluted wooden barrel or the platinum plated cap or an extra-large and more exquisitely designed bi-colour nib. And, it naturally places them in a more premium segment. You can find a review of the GvFC Elemento here, which shares its dimensions with the wooden Platino designs.

     These lines come with a fountain pen (with 6 to 7 different nib widths), a roller ball, a propelling pencil (0.7mm) and a ballpoint pen.

PRESENTATION (6/6)


It’s a chamois-coloured gift box with top and bottom wooden linings,  which secures itself by a magnetic catch within the two folds. There is the pen resting in a cardboard box within a chamois-coloured linen bag, which carries the Graf Von Faber-Castell name and their coat-of-arms logo.




I someway like the linen, bag because of its differentiated appeal, though not from an utilitarian perspective. There is also a warranty leaflet-cum-manual, which states a lifetime guarantee against manufacturing defects and assures services, in case any need for repair arises. Then, it also illustrates refilling the entire range of GvFC pens and other stationery.


DESIGN (6/6)


The Intuition range comes in six variants (terra - orange, ivory – off-white/fluted, black - black/fluted/metal cap) with six different nib sizes – EF, F, M, B, OM and OB. Only one of these variants comes with a platinum plated metal cap with a shiny black barrel.
             
Coming back to the pen, once you take it out, it surely looks like a compact enchanting piece of art. A high gloss sheen of the of the barrel and the cap reflects back quite a bit of light. Complementing this sheen, are the dazzling platinum plated trims of the pen.



On pulling the cap off, you would initially notice the singularity of the barrel, a section sans joints. It’s made out of a single piece of resin, in this case reflecting the colour of earth or ‘terra’,  gleaming with an orange smile. At the top end of the barrel, is a twist-metallic crown, which disengages the bi-tone nib section and converter system, from the rest of the body. I just love this element of design! The knob is embossed with the coat-of-arms logo, on the finial. Usually the coat-of-arms logo is used in GvFC pens and FCD pens (Ambition, Ondoro, e-motion) carry the jostling knights logo. Traditionally coat-of-arms is said to represent full-achievement in a heraldic tradition. GvFC has quite a bit of design superiority over the other FCD pens. Towards the nib end, the singular barrel narrows down to a slightly concave section to form a comfortable grip. Despite the glossy and smooth finish, the pen has a subtle but non-slippy grip section. The cap (snap-on) secures itself to the barrel with an audible click.


The cap is engraved with GRAF VON FABER – CASTELL, encircling the metallic finial insert which again bears another coat-of-arms logo with its platinum sheen. The cap band says GRAF VON FABER – CASTELL on one side and on the other end it's HANDMADE IN GERMANY. ‘Handmade’ because there are over a hundred steps in the entire manufacturing process of this pen, a majority of which are carried out by hand. The clip on the cap carries the gleam of platinum with a highly efficient and visible spring loaded system.




The finial at the barrel end carries a coat-of-arms logo.



FILLING SYSTEM (6/6)


Once the crown of the barrel is rotated anti-clockwise to disengage the nib & filling system, you would notice a rather classical CC filler system. The nib has a screw fit, and inserts into a metallic sleeve like most of the Faber-Castell fountain pens which I have seen. The nib sleeve has threads which synchronize with threads on the inner barrel, both ending up with an octagonal cross section. The converter has a metallic premium band which friction-fits into the nib section though it does not fit a FCD Ambition section. However, the Ambition converter fits in the Intuition nib section. The converter has a reasonably high capacity of 0.8 – 0.9 mL, and the ink does last for quite a while! I usually have a bias towards piston fillers, but I do appreciate the capacity offered by Faber-Castell converters.

The nib section carries a six-digit number which denotes the date of manufacture, which I did confirm with the Faber-Castell team. Mine says 011210, which would mean it was manufactured way back on 01-December-2010.




NIB (5/6) - ALL THAT MATTERS!


The 18k bi-tone nib comes in four main widths – EF, F, M & B and two special widths – OM (left) & OB (left). The tail end specifies the nib size and composition (75% Au , 18 ct) of the alloy used. A white rhodium decor occupies the outer tines converging with the iridium tip, while the inner part circumscribing the breather hole gleams golden with engraved stripes. There is a dazzling white coat-of-arms logo resting just above the tail-end. This one is a fine nib and writes quite smoothly with a 'minutely minute' hint of feedback when I use relatively drier inks. It lays down a wet albeit fine line, which will be covered in the last section of this review. With a rather curved shoulder, the nib does portray an apparently smaller size even if it’s quite similar to the size of the relatively flat Ambition nib. [minus 1]


The feed is standard grey plastic, with a big filler hole delivering an amazing ink suction, which is also used across the Faber-Castell Design series.



Below is a comparison to the FCD Ambition (non-premium) sections. You can check the differences between the two converters, the Intuition has got some metallic embellishment. Both use the same feed.




PHYSICS OF RELATIVITY (4/6)


With a cylindrical body of 1.2 cm diameter, it does give a comfortable feel without adding much weight. The capped length of 12.5 cm is quite similar to a Pelikan m400. In short, it is quite a compact pen when compared to an MB146 or even a thinner Ambition, for that matter. And a compact pen, can have its advantages along with some disadvantages. The weight of this pen has a significant contribution from the resin cap.
  • Uncapped Length ~ 12 cm
  • Posted Length ~ 15 cm
  • Nib Leverage ~ 2 cm
  • Overall Weight ~ 29.4 g

Uncapped, it’s quite similar to the m400 but slightly shorter than the Ambition. The loss of weight and length is somewhat balanced by the wider grip section, if not completely.


Alternatively, you can post it and it’s similar to a posted m400 with a slightly top-heavy configuration. However, I feel comfortable to use it both posted and unposted, although I never have shared the same feeling with Ambition.



ECONOMIC VALUE (5/6)


Although this pen retails around USD 600, it is available at much lower street prices. With end of season clearance sale, I was able to get the pen at a good discounted price.

OVERALL (5.3/6) 


I feel loved by the design and exquisite appeal of this pen on an overall scale, whenever I write with the intuition. No skipping or hard starts right from the beginning, it turned out quite smooth out of the box. With a stiff nib, it delivers a wet line, with this fine nib. The line width closely resembles a Lamy 2000 Fine/ a Japanese FM nib. For a pelikan 4001 brilliant green ink, it takes around 12-13 seconds to dry. There is no noticeable line variation with horizontal and vertical strokes for this one. Below goes a written review of the same:


It was fun reviewing the intuition. Hope you enjoyed reading it.

Saturday, October 4, 2014

An Ambitious Review: The Faber-Castell Design Ambition

Long ago during school days, I had used some of the not so expensive Faber-Castell ballpoints, pencils, highlighters, rulers, mechanical pencils and geometry sets. They used to be a bit scarce in India then, as they came with a ‘Made in Germany’ tag. Though there was little or no price difference with other Indian brands like Camlin or Omega, these were not widely available as such. Years later one fine day, while randomly searching for pens made by Faber-Castell, I bumped across the Ambition/Ondoro/e-motion fountain pens which were placed in a premium segment with Graf-Von Faber Castell Anello/Intuition in luxury segment. In India, a few models were available in Shoppers Stop Online and some of the other known e-com sites. I finally ordered an Ambition (then an Ondoro) from Pensavenue, as they were running a discount sale on all Faber-Castell products. I added a converter since it was clearly mentioned that a Faber-Castell Design (FCD) converter was not included with the gift package. 

A BIT OF FABER-CASTELL HISTORY 


Around 1660s Kaspar Faber was one of the pencil makers in Stein, Bavaria, Germany. Later Kaspar’s son Anton Wilhelm Faber took over the business and the initials A.W were added from his name in 1839. Later on in 1898, when Ottile Von Faber (sixth generation of Faber family) married Count Alexander zu Castell-Rüdenhausen, A.W Faber-Castell was born. Count Alexander modernised the company and introduced the jousting knights logo. Faber-Castell started manufacturing fountain pens in 1951, after acquiring the Osmia Company and produced fountain pens till 1975. They had carried the Osmia logo [diamond-within-a-circle] till the 1960s, given Osmia’s high brand recognition in the fountain pen industry. Later under Anton Wolfgang von Faber-Castell, Faber-Castell started expanding their factories & offices across the globe and also started manufacturing fountain pens under two banners of Design and Graf von Faber-Castell (introduced in 1993) from the 90s. 

These Ambition range comes with a fountain pen (with 4 different nib widths), a roller ball, a propelling pencil (0.7mm) and a ballpoint pen with various barrel designs constituting of resin, wood or brushed steel. 

PRESENTATION 


Within 3 days, the pen and a converter were delivered in a moss-green cardboard box. The colour reminds me of lush green cricket outfields and the Australian Baggy Green Caps
The box has a slider and the pen is secured with an elastic band on a felted bed, along with a warranty card. 

DESIGN - THE CYLINDRICAL MOTLEY OF RESIN & METAL (4/6) 


Held in hand, the pen will feel somewhat heavier towards the cap end, with a relatively lighter brushed barrel made of up black coloured resin (Like MB, Faber-Castell also calls it ‘precious resin’, I feel it has comparatively lower density). 

A convergence in its minimalistic design of chrome plated accents is achieved with another piece of metallic finial at the end of the barrel, which also serves as the click-lock for posting the cap. 

And yes, the chrome accents are prone to fingerprints. Very much!
The cap is substantially heavy with a snap-on locking mechanism. Once you pull it, it comes off with an audible click, and you can see a chromed metallic section attached to the non-differentiated grip, at the end of which rests a shiny nib. Absence of any taper in the singular cylindrical section, introduces a steep step for holding the pen.
A mirror finish on the chromed cap etched with the Faber-Castell logo of two jousting knights will immediately gleam with the slightest amount of light and it is also embossed with the traditional statement preserving antiquity of A.W Faber-Castell - Since 1761. The clip is spring loaded and is shaped like an arc with a concave end. To generate friction with fabric, there are multiple grooves on the insides of the clip’s concavity, where it touches the cap. There is also a plastic insert inside the cap gives the snap-on friction. However, it seems to lose grip with time. 


FILLING SYSTEM (5/6) 


The small metallic section at the end of the barrel unscrews from the resin barrel with less than three turns and it disengages the section containing the nib and CC filling system. The nib has a screw fit, and inserts into a metallic sleeve like most of the Faber-Castell fountain pens, which I have seen. The nib sleeve has threads which synchronize with threads on the insides of the resin barrel. 
The converter says SCHMIDT on its piston along with a brand imprint of FABER-CASTELL Germany on the metallic sleeve. It has a reasonably high capacity of 0.8 – 0.9 mL, and the ink does last for quite a while! I am usually biased towards piston fillers, but I like the capacity offered by Faber-Castell or Schmidt converters. In case of GvFC Converters there is no mention of Schmidt on the converters themselves. 


NIB - ALL THAT MATTERS (6/6) 


The nib is made of stainless steel alloy with an iridium tip. The initially available nib sizes featured F, M and B nibs, though an EF was made available later. I went with an M sized nib. Right out of the box, this was a butter-smooth nib

The nib has a perforated imprint of dots which cover a third of its surface area. Had these been real perforations there would have been an opulence of breather holes. And in fact there is not even a single breather hole. The nib-size is embossed above the traditional Faber-Castell Design logo of two jousting knights near the tail. Nib section is screw-fit and thus easily removable from the steel sleeve for cleaning or replacement. 
The feed is standard grey plastic, with a big filler hole for ink suction, which is incidentally also used across the GvFC Intuition Series. 

Faber-Castell Design (steel) nibs are sourced from JoWo whereas the GvFC nibs are known to be sourced from Bock

PHYSICS OF IT (3/6) – RELATIVELY SPEAKING 


Without the cap, the pen measures around 12 cm, which might not be comfortable for people with medium or large hands. Posting the cap is easy and it seems to be secured with a click-lock at the finial section. Although the posted pen exceeds a 15 cm scale, the steel cap makes it pretty top-heavy. In addition to weight, the cap freely rotates once it’s click-posted. While writing posted, the beautifully arched clip later becomes the pen’s arch-nemesis for top weight imbalance, with free rotation around the metal section. A girth less than 1 cm might be inadequate for the shorter uncapped length. 
  • Uncapped Length ~ 12.2 cm 
  • Capped Length ~ 14 cm 
  • Posted Length ~ 15.8 cm 
  • Nib Leverage ~ 1.9 cm 
  • Overall Weight ~ 28 g (Cap Weight ~ 15 g) 
Capped and uncapped and posted with a GvFC Intuition, Pelikan m400/2XX and a bigger MB146 run below for your reference. The Intuition has a wider grip than the Ambition. 




ECONOMIC VALUE (5/6) 


It retails at around USD 70 and I got a converter included at the same price, because of the aforementioned discount. I believe it’s a good value for money pen, given you too end up with such a nib, which defeats many of the gold ones. 

OVERALL (4.6/6) 


This nib is wet, runs wide and smooth like butter, without giving even a hint of feedback. I purposely used a less wet ink, but the pen did quite well against a drier pelikan 4001 ink. There is a bit of line variation with relatively thicker verticals. The nib has some spring and a touch of softness. In fact it lays a wetter and wider line with a little pressure. If you hold it from the metal section, the pen might feel slippery after some time and it might even rotate a little between your fingers. I instinctively hold the pen just above the metal section. 

Being a wet writer out of the box, the Medium nib puts a line which takes more than 20 seconds to dry on MD Paper with a relatively dry Pelikan 4001 Brilliant Black ink. 


REFERENCES 



Thank you for going through the review. 
You can find some more pen and paraphernalia reviews here.