An Intuitive conversation with the Graf von Faber-Castell Intuition

THE INTUITION

With a covetous eye on this pen, since the time I had got my FCD Ambition and then an orange coloured Ondoro fountain pen, it indeed required lady luck's blessings to get this one at a steeply discounted price. I must say, that there was already a strange sense of loss of colours, after I had parted with both of my orange coloured fountain pens - Ondoro and later a Pelikan m205. And this seemed to be an appropriate treatment for my colour blindness. Coming to the Faber-Castell Design (FCD) and the rather luxurious Graf von Faber-Castell (GvFC) line of pens, I must say that they have been able to splendidly highlight the art of convergence of design and utility. The Intuition pen comes in six lines of resin-based designs and two (earlier three) lines of wood-based designs. The wooden designs are called Intuition Platino Wood which is an enhanced intuition design altogether, be it the fluted wooden barrel or the platinum plated cap or an extra-large and more exquisitely designed bi-colour nib. And, it naturally places them in a more premium segment. You can find a review of the GvFC Elemento here, which shares its dimensions with the wooden Platino designs.

     These lines come with a fountain pen (with 6 to 7 different nib widths), a roller ball, a propelling pencil (0.7mm) and a ballpoint pen.

PRESENTATION (6/6)

It’s a chamois-coloured gift box with top and bottom wooden linings,  which secures itself by a magnetic catch within the two folds. There is the pen resting in a cardboard box within a chamois-coloured linen bag, which carries the Graf Von Faber-Castell name and their coat-of-arms logo.

I someway like the linen, bag because of its differentiated appeal, though not from an utilitarian perspective. There is also a warranty leaflet-cum-manual, which states a lifetime guarantee against manufacturing defects and assures services, in case any need for repair arises. Then, it also illustrates refilling the entire range of GvFC pens and other stationery.

DESIGN (6/6)

The Intuition range comes in six variants (terra - orange, ivory – off-white/fluted, black - black/fluted/metal cap) with six different nib sizes – EF, F, M, B, OM and OB. Only one of these variants comes with a platinum plated metal cap with a shiny black barrel.

             
Coming back to the pen, once you take it out, it surely looks like a compact enchanting piece of art. A high gloss sheen of the of the barrel and the cap reflects back quite a bit of light. Complementing this sheen, are the dazzling platinum plated trims of the pen.

On pulling the cap off, you would initially notice the singularity of the barrel, a section sans joints. It’s made out of a single piece of resin, in this case reflecting the colour of earth or ‘terra’,  gleaming with an orange smile. At the top end of the barrel, is a twist-metallic crown, which disengages the bi-tone nib section and converter system, from the rest of the body. I just love this element of design! The knob is embossed with the coat-of-arms logo, on the finial. Usually the coat-of-arms logo is used in GvFC pens and FCD pens (Ambition, Ondoro, e-motion) carry the jostling knights logo. Traditionally coat-of-arms is said to represent full-achievement in a heraldic tradition. GvFC has quite a bit of design superiority over the other FCD pens. Towards the nib end, the singular barrel narrows down to a slightly concave section to form a comfortable grip. Despite the glossy and smooth finish, the pen has a subtle but non-slippy grip section. The cap (snap-on) secures itself to the barrel with an audible click.

The cap is engraved with GRAF VON FABER – CASTELL, encircling the metallic finial insert which again bears another coat-of-arms logo with its platinum sheen. The cap band says GRAF VON FABER – CASTELL on one side and on the other end it's HANDMADE IN GERMANY. ‘Handmade’ because there are over a hundred steps in the entire manufacturing process of this pen, a majority of which are carried out by hand. The clip on the cap carries the gleam of platinum with a highly efficient and visible spring loaded system.

The finial at the barrel end carries a coat-of-arms logo.

FILLING SYSTEM (6/6)

Once the crown of the barrel is rotated anti-clockwise to disengage the nib & filling system, you would notice a rather classical CC filler system. The nib has a screw fit, and inserts into a metallic sleeve like most of the Faber-Castell fountain pens which I have seen. The nib sleeve has threads which synchronize with threads on the inner barrel, both ending up with an octagonal cross section. The converter has a metallic premium band which friction-fits into the nib section though it does not fit a FCD Ambition section. However, the Ambition converter fits in the Intuition nib section. The converter has a reasonably high capacity of 0.8 – 0.9 mL, and the ink does last for quite a while! I usually have a bias towards piston fillers, but I do appreciate the capacity offered by Faber-Castell converters.

The nib section carries a six-digit number which denotes the date of manufacture, which I did confirm with the Faber-Castell team. Mine says 011210, which would mean it was manufactured way back on 01-December-2010.

NIB (5/6) - ALL THAT MATTERS!

The 18k bi-tone nib comes in four main widths – EF, F, M & B and two special widths – OM (left) & OB (left). The tail end specifies the nib size and composition (75% Au , 18 ct) of the alloy used. A white rhodium decor occupies the outer tines converging with the iridium tip, while the inner part circumscribing the breather hole gleams golden with engraved stripes. There is a dazzling white coat-of-arms logo resting just above the tail-end. This one is a fine nib and writes quite smoothly with a 'minutely minute' hint of feedback when I use relatively drier inks. It lays down a wet albeit fine line, which will be covered in the last section of this review. With a rather curved shoulder, the nib does portray an apparently smaller size even if it’s quite similar to the size of the relatively flat Ambition nib. [minus 1]

The feed is standard grey plastic, with a big filler hole delivering an amazing ink suction, which is also used across the Faber-Castell Design series.

Below is a comparison to the FCD Ambition (non-premium) sections. You can check the differences between the two converters, the Intuition has got some metallic embellishment. Both use the same feed.

PHYSICS OF RELATIVITY (4/6)

With a cylindrical body of 1.2 cm diameter, it does give a comfortable feel without adding much weight. The capped length of 12.5 cm is quite similar to a Pelikan m400. In short, it is quite a compact pen when compared to an MB146 or even a thinner Ambition, for that matter. And a compact pen, can have its advantages along with some disadvantages. The weight of this pen has a significant contribution from the resin cap.

• Uncapped Length ~ 12 cm
• Posted Length ~ 15 cm
• Nib Leverage ~ 2 cm
• Overall Weight ~ 29.4 g

Uncapped, it’s quite similar to the m400 but slightly shorter than the Ambition. The loss of weight and length is somewhat balanced by the wider grip section, if not completely.

Alternatively, you can post it and it’s similar to a posted m400 with a slightly top-heavy configuration. However, I feel comfortable to use it both posted and unposted, although I never have shared the same feeling with Ambition.

ECONOMIC VALUE (5/6)

Although this pen retails around USD 600, it is available at much lower street prices. With end of season clearance sale, I was able to get the pen at a good discounted price.

OVERALL (5.3/6) 

I feel loved by the design and exquisite appeal of this pen on an overall scale, whenever I write with the intuition. No skipping or hard starts right from the beginning, it turned out quite smooth out of the box. With a stiff nib, it delivers a wet line, with this fine nib. The line width closely resembles a Lamy 2000 Fine/ a Japanese FM nib. For a pelikan 4001 brilliant green ink, it takes around 12-13 seconds to dry. There is no noticeable line variation with horizontal and vertical strokes for this one. Below goes a written review of the same:

It was fun reviewing the intuition. Hope you enjoyed reading it.

A dialogue with the Lamy Dialog 3

MOTIVATION

A collection of fountain pens is never complete without the retractable ones in your armoury. And the ones, which immediately strike an already covetous mind, are of course the Pilots (VPs, decimos and the fermos). Then there are pens like Lamy Dialog 3, Visconti Pininfarina among a few others equipped with a relatively small-sized non-hooded nib. Somehow, the idea of yet another hooded nib became quite less appealing, when I saw the Dialog 3. I knew it would be quite a heavy pen for the capless clan, but so was the Fermo. The Dialog 3 was launched by Lamy back in 2009 designed by one of the contemporary designers, Franco Clivio. The Lamy Pico is another pen by the same Swiss designer. As per LAMY, Franco innovates with basic shapes – circle, square and triangle, foregoing anything superfluous in the process to achieve technical necessity. 

                          As you would have already discovered, there are no dialog 1 or 2 in their fountain pens range. Dialog 1 refers to a ball-point pen whereas Dialog 2 is a roller-ball pen, and interestingly enough, they belong to different designers.

PRESENTATION (6/6)

How do you ensure minimalism with luxury? By establishing extravagance incrementally, in step-by-step. A paper sleeve encases a much more attractive black cardboard box etched with the LAMY name. With the usual papers and a cartridge outside, a thin sheer cloth then encloses a beautifully polished gift box made out beech wood, closed with a magnetic rim.

The beauty of the beech-wood box is that it’s alluringly small enough to slip inside your pocket, the pen still dreaming inside with a soft cushion under her head.
PS: However, with the dialog 3 inside, it could be heavier than your cellphone. 

DESIGN (6/6)

A twist-action fountain pen with an advanced design, it comes with four variants now – matte-black, pianoblack, pianowhite and palladium finish, with six nib sizes – EF, F, M, OM, B & OB. 

The silvery palladium finish with chrome polished clip reflects its immediate environmental colours. An etched pair of parallel lines run along the barrel & grip pieces represent the final nib retraction point, when in sync. LAMY is etched between the lines at the end of the barrel. Half-a-twist clockwise from the barrel top-end will open a ball-valve at the nib end of the grip and the nib extends to a click-stop, keeping the pair of parallel lines at diametrically opposite ends. Anticlockwise, post the parallel sync, the barrel can be unscrewed from the grip+clip section, to take out the nib + filling system. There might be an odd slippage in the twist mechanism, but once I tightened the barrel and grip section, it did not occur again. Simply Elegant!

A chrome ball-valve at the end of the grip section protects the nib from damages of dust and drying, acting in sync with the twist-mechanism. Secondly, the clip lifts and rescinds with the twist to either facilitate an easier grip or enable clipping it on your pocket. 

From the aesthetics of design, the dialog 3 is really majestic. 

FILLING SYSTEM (6/6)

The sum of parts for me is greater than a whole. It’s less fun taking the pen apart, because it’s meant to. Once the barrel is unscrewed anticlockwise beyond the synced parallel lines, it separates out to reveal the nib & fill system. The nib/fill system can be unscrewed anticlockwise from the grip section. You will find a standard Z26 converter fitted into the nib section. Again like the 2000, the design elements appear to be fluidic in both nature and function. The standard capacity is around 0.7-0.8 ml for the Z26 converter, as per various FPN reviews, is quite good for a retractable one.

Once you fill her up, you can put the pen together and then comes the wow moment. 

NIB (6/6) - ALL THAT MATTERS

The 14k two-tone nib comes in four standard widths (EF, F, M, B) and two special widths (OM and OB). Elegantly, designed although in a modern geometric fashion, the white rhodium decor occupies the tines and the tail parts of the nib, while a golden streak runs from the breather hole and diverges itself at the tip end of the nib. Embossed near the tail end are the usual specs of nib size (F), content - 14k-58.5% and of course the LAMY logo.

By the way, this nib runs extremely smooth like warm butter. The plastic feed is a rather small one with a big feeder hole, and it does ensure a wet and smooth flow of ink. The tip is quite a sphere.

One thing I did observe, is the difference between the tipping sizes of 14k-fine nibs of Lamy - a 2000 with a Fine nib in this case, which is in my current rotation. Though, the 2000 had its nib replaced with a somewhat older-service stock of Fine nibs, you can clearly see the difference between their tipping sizes, even without using a loupe. 

PHYSICS OF IT (4/6) - RELATIVELY

A cylindrical body with a 1.3 cm diameter having around 50 grams of weight, might seem to be a heavy proposition to wield as a pen. The length of the fully extended pen is similar to a posted MB146. Taking these into account, this pen does not seem comfortable for extended writing sessions. However, as far as short note taking sessions or signatures are concerned, believe me it could be the dream pen to write with. The illusive weight, the copious flow and the buttery nib will ensure a silky glider. 

• Retracted Length ~ 13.8 cm 
• Extended Length ~ 15.7 cm 
• Nib Leverage ~ 1.8 cm 
• Weight ~ 50 g 

ECONOMIC VALUE (4/6)

With a street price of USD 250-260, it falls right into a category where you would probably think thrice or may be more, before buying the pen. There is always some discount running on MRP of USD 385 in local stores, which brings the price closer to street price levels.

OVERALL (5.3/6)

A flawlessly efficient pen as far as the vital parts of the pen are concerned. It has never skipped and all the twist mechanisms operate with firm intents of functionality. The d3 fine nib has quite a soft touch, decent spring, runs wet like rains & smooth like butter laying a broad line. With a relatively dry Pelikan 4001 ink, the wet lines laid by the Fine nib, run broader than a 2000-fine and a Platinum President Broad nib running the wettest of Diamine inks. The lines take around 30-35 seconds to dry Pelikan 4001 Royal Blue ink on MD Paper. 

A pen you cannot ignore, if you wish to have a retractable one with the smoothest of nibs.

Hope you liked the review. The Lamy 2000 is reviewed here.
You can find some more pen and paraphernalia reviews here.