The Sterling Pelikan Souverän m625

As you might already know, Pelikan as a company encompasses a rich heritage of 180 years – in manufacturing inks, pens and stationery (177 years to be exact, you can find a bit of history in a previous post ). In 1929, it released its first transparent Pelikan fountain pen  and was credited with the genesis of the piston-filling mechanism, using a differential spindle gear. However, the first of the silvery m625 models does not come until the next 77 years go by. 

m625

Pelikan launched the Souverän m625 model in 2006, which constituted of a dark blue resin barrel with rest of the visible hardware - i.e cap, piston knob and grip section, carved out of sterling silver (92.5% silver + 7.5% copper giving the required strength while preserving appearance of the noble metal). It was later followed by an aubergine model and a red model with two variations in the cap section. These had a 18k rhodium plated gold nib. Later, they also released a limited batch of m625s with a red barrel and a 14k nib, for the Asian market.

The pen comes in a standard G15 gift box, essentially the same packaging as all the other standard souverän models.

DESIGN (6/6)

It's an amazingly stunning pen encompassed in a standard souverän series design. Closed, the sterling silver cap and the piston knob dazzle with ambient reflections, while the barrel awaits light to bedazzle you.

Once exposed to the visible spectrum, a play of light reveals the inside mechanisms like a demonstrator. And it's definitely more spectacular to the eyes than it is to the lenses.

The barrel is made up of high grade translucent resin and is resistant to scratches in course of normal use. There is also a thin palladium coating on the sterling silver parts to avoid staining of the pen with time. This was confirmed by the Pelikan team.

On unscrewing the cap, you will instantly notice a resonance in design with a glittering grip section wholly carved out of sterling silver, along with a rhodium plated nib. So there is either reflection or refraction of ambient light, rendering the m625 with its characteristic trait. The silvery metallic grip is quite comfortable to hold and does not feel slippery, and it adjoins the barrel with threads for securing the cap.

Twirls engraved around the sterling silver cap run on its surface gleaming with all possible proximate imagery.  A few swirls end near the middle, where Ag 925 is etched in between, granting a somewhat finality of trust to the glitter show.The logo on the finial is the one embraced by Pelikan post 2003, that of a mother pelican and a chick,   in a brushed palladium finish. At the base, imbibed are the words PELIKAN SOUVERÄN GERMANY, which is common across the range of souverän series. The absence of any differential aesthetics in the cap drives the inherent singularity in appearance.

FILLING SYSTEM (6/6)

A piston filler with a sterling silver knob surely distinguishes the m625 from other models in the range. Apart from enchanting looks, like any other pelikan, it's an easy and hassle-free mechanism. 

The piston end unscrews with three to four rotations and ink is sucked in, with quite a gush, once the piston is screwed back on. And of course, you can observe the entire thing in action.

NIB (6/6) – ALL THAT MATTERS

The dazzling rhodium plated gold nib with an usual iridium tip is tested by hand, and it comes in four main sizes – EF, F, M & B along one special width – BB (extra-broad). Like all its cousins, the nib is exquisite and efficient. With a screw fit mechanism and a standard m6xx feed, the nib-section is an ensemble of efficiency as well as artistry. And this silvery white finish does converge with the sterling silver grip in terms of both glitter and glimmer. 

The tail end specifies the nib-width and composition (14 C, 58.5% Au) of the gold-alloy used. Three arabesques diverge along the shoulders of the nib with two of them converging near the breather hole. The third arabesque runs across the tines towards the shoulders ending with the tail end of the nib. There is of-course the dazzling white mother-baby pelikan logo, resting above the tail. This one is an extra-fine nib and writes smoothly out of the box.

A black plastic feed (earlier ones had ebonite feeds) with closely spaced fins allows a good buffer capacity to hold ink with ambient pressure and temperature fluctuations.

PHYSICS OF IT (5/6) – RELATIVELY SPEAKING

It does give a comfortable feel to write with the pen without posting the cap. The overall capped length is around 13.3 cm. The total weight of m625 has a significant contribution from the cap, which is otherwise quite well-balanced. And yes, a substantial cap does make the pen very top-heavy if posted.

• Uncapped Length ~ 12.4 cm
• Posted Length ~ 15.4 cm
• Nib Leverage ~ 2.3 cm
• Overall Weight ~ 34 g (Cap Weight ~ 17.5 g)

While not posted, a length of 12.4 cm is quite comfortable for writing because of a thicker girth and a substantial weight, mostly due to the metallic grip and piston-knob sections, eventhough the piston mechanism is made up of plastic rather than brass. (common across m6XXs)

ECONOMIC VALUE (4/6)

Although the m625 retails at excess of USD 700, it is available at lower street prices. I was able to get the pen at a good discounted price in an online action at the bay. I would not undervalue the rating by much, because in the end, the m625 seems more of an art rather than science. As isn't it why all of us buy, discuss and share experiences with fountain pens all the time ?

OVERALL (5.4/6)

I adore the distinct red translucent design of the m625 which is embraced with the glistening contours of sterling silver. This pen is blessed with a smooth extra-fine (EF) nib which delivers a thin but a very wet line. The line width closely resembles a Pilot 14k-FM nib. For a relatively dry Pelikan Royal Blue ink, it takes around 12-13 seconds to dry. I could not find any line variation with horizontal and vertical strokes for this one. And yes, nib's a nail too when it comes to flex.

Thank you for your time. You can find some more pen and paraphernalia reviews here.

An Intuitive conversation with the Graf von Faber-Castell Intuition

THE INTUITION

With a covetous eye on this pen, since the time I had got my FCD Ambition and then an orange coloured Ondoro fountain pen, it indeed required lady luck's blessings to get this one at a steeply discounted price. I must say, that there was already a strange sense of loss of colours, after I had parted with both of my orange coloured fountain pens - Ondoro and later a Pelikan m205. And this seemed to be an appropriate treatment for my colour blindness. Coming to the Faber-Castell Design (FCD) and the rather luxurious Graf von Faber-Castell (GvFC) line of pens, I must say that they have been able to splendidly highlight the art of convergence of design and utility. The Intuition pen comes in six lines of resin-based designs and two (earlier three) lines of wood-based designs. The wooden designs are called Intuition Platino Wood which is an enhanced intuition design altogether, be it the fluted wooden barrel or the platinum plated cap or an extra-large and more exquisitely designed bi-colour nib. And, it naturally places them in a more premium segment. You can find a review of the GvFC Elemento here, which shares its dimensions with the wooden Platino designs.

     These lines come with a fountain pen (with 6 to 7 different nib widths), a roller ball, a propelling pencil (0.7mm) and a ballpoint pen.

PRESENTATION (6/6)

It’s a chamois-coloured gift box with top and bottom wooden linings,  which secures itself by a magnetic catch within the two folds. There is the pen resting in a cardboard box within a chamois-coloured linen bag, which carries the Graf Von Faber-Castell name and their coat-of-arms logo.

I someway like the linen, bag because of its differentiated appeal, though not from an utilitarian perspective. There is also a warranty leaflet-cum-manual, which states a lifetime guarantee against manufacturing defects and assures services, in case any need for repair arises. Then, it also illustrates refilling the entire range of GvFC pens and other stationery.

DESIGN (6/6)

The Intuition range comes in six variants (terra - orange, ivory – off-white/fluted, black - black/fluted/metal cap) with six different nib sizes – EF, F, M, B, OM and OB. Only one of these variants comes with a platinum plated metal cap with a shiny black barrel.

             
Coming back to the pen, once you take it out, it surely looks like a compact enchanting piece of art. A high gloss sheen of the of the barrel and the cap reflects back quite a bit of light. Complementing this sheen, are the dazzling platinum plated trims of the pen.

On pulling the cap off, you would initially notice the singularity of the barrel, a section sans joints. It’s made out of a single piece of resin, in this case reflecting the colour of earth or ‘terra’,  gleaming with an orange smile. At the top end of the barrel, is a twist-metallic crown, which disengages the bi-tone nib section and converter system, from the rest of the body. I just love this element of design! The knob is embossed with the coat-of-arms logo, on the finial. Usually the coat-of-arms logo is used in GvFC pens and FCD pens (Ambition, Ondoro, e-motion) carry the jostling knights logo. Traditionally coat-of-arms is said to represent full-achievement in a heraldic tradition. GvFC has quite a bit of design superiority over the other FCD pens. Towards the nib end, the singular barrel narrows down to a slightly concave section to form a comfortable grip. Despite the glossy and smooth finish, the pen has a subtle but non-slippy grip section. The cap (snap-on) secures itself to the barrel with an audible click.

The cap is engraved with GRAF VON FABER – CASTELL, encircling the metallic finial insert which again bears another coat-of-arms logo with its platinum sheen. The cap band says GRAF VON FABER – CASTELL on one side and on the other end it's HANDMADE IN GERMANY. ‘Handmade’ because there are over a hundred steps in the entire manufacturing process of this pen, a majority of which are carried out by hand. The clip on the cap carries the gleam of platinum with a highly efficient and visible spring loaded system.

The finial at the barrel end carries a coat-of-arms logo.

FILLING SYSTEM (6/6)

Once the crown of the barrel is rotated anti-clockwise to disengage the nib & filling system, you would notice a rather classical CC filler system. The nib has a screw fit, and inserts into a metallic sleeve like most of the Faber-Castell fountain pens which I have seen. The nib sleeve has threads which synchronize with threads on the inner barrel, both ending up with an octagonal cross section. The converter has a metallic premium band which friction-fits into the nib section though it does not fit a FCD Ambition section. However, the Ambition converter fits in the Intuition nib section. The converter has a reasonably high capacity of 0.8 – 0.9 mL, and the ink does last for quite a while! I usually have a bias towards piston fillers, but I do appreciate the capacity offered by Faber-Castell converters.

The nib section carries a six-digit number which denotes the date of manufacture, which I did confirm with the Faber-Castell team. Mine says 011210, which would mean it was manufactured way back on 01-December-2010.

NIB (5/6) - ALL THAT MATTERS!

The 18k bi-tone nib comes in four main widths – EF, F, M & B and two special widths – OM (left) & OB (left). The tail end specifies the nib size and composition (75% Au , 18 ct) of the alloy used. A white rhodium decor occupies the outer tines converging with the iridium tip, while the inner part circumscribing the breather hole gleams golden with engraved stripes. There is a dazzling white coat-of-arms logo resting just above the tail-end. This one is a fine nib and writes quite smoothly with a 'minutely minute' hint of feedback when I use relatively drier inks. It lays down a wet albeit fine line, which will be covered in the last section of this review. With a rather curved shoulder, the nib does portray an apparently smaller size even if it’s quite similar to the size of the relatively flat Ambition nib. [minus 1]

The feed is standard grey plastic, with a big filler hole delivering an amazing ink suction, which is also used across the Faber-Castell Design series.

Below is a comparison to the FCD Ambition (non-premium) sections. You can check the differences between the two converters, the Intuition has got some metallic embellishment. Both use the same feed.

PHYSICS OF RELATIVITY (4/6)

With a cylindrical body of 1.2 cm diameter, it does give a comfortable feel without adding much weight. The capped length of 12.5 cm is quite similar to a Pelikan m400. In short, it is quite a compact pen when compared to an MB146 or even a thinner Ambition, for that matter. And a compact pen, can have its advantages along with some disadvantages. The weight of this pen has a significant contribution from the resin cap.

• Uncapped Length ~ 12 cm
• Posted Length ~ 15 cm
• Nib Leverage ~ 2 cm
• Overall Weight ~ 29.4 g

Uncapped, it’s quite similar to the m400 but slightly shorter than the Ambition. The loss of weight and length is somewhat balanced by the wider grip section, if not completely.

Alternatively, you can post it and it’s similar to a posted m400 with a slightly top-heavy configuration. However, I feel comfortable to use it both posted and unposted, although I never have shared the same feeling with Ambition.

ECONOMIC VALUE (5/6)

Although this pen retails around USD 600, it is available at much lower street prices. With end of season clearance sale, I was able to get the pen at a good discounted price.

OVERALL (5.3/6) 

I feel loved by the design and exquisite appeal of this pen on an overall scale, whenever I write with the intuition. No skipping or hard starts right from the beginning, it turned out quite smooth out of the box. With a stiff nib, it delivers a wet line, with this fine nib. The line width closely resembles a Lamy 2000 Fine/ a Japanese FM nib. For a pelikan 4001 brilliant green ink, it takes around 12-13 seconds to dry. There is no noticeable line variation with horizontal and vertical strokes for this one. Below goes a written review of the same:

It was fun reviewing the intuition. Hope you enjoyed reading it.

A dialogue with the Lamy Dialog 3

MOTIVATION

A collection of fountain pens is never complete without the retractable ones in your armoury. And the ones, which immediately strike an already covetous mind, are of course the Pilots (VPs, decimos and the fermos). Then there are pens like Lamy Dialog 3, Visconti Pininfarina among a few others equipped with a relatively small-sized non-hooded nib. Somehow, the idea of yet another hooded nib became quite less appealing, when I saw the Dialog 3. I knew it would be quite a heavy pen for the capless clan, but so was the Fermo. The Dialog 3 was launched by Lamy back in 2009 designed by one of the contemporary designers, Franco Clivio. The Lamy Pico is another pen by the same Swiss designer. As per LAMY, Franco innovates with basic shapes – circle, square and triangle, foregoing anything superfluous in the process to achieve technical necessity. 

                          As you would have already discovered, there are no dialog 1 or 2 in their fountain pens range. Dialog 1 refers to a ball-point pen whereas Dialog 2 is a roller-ball pen, and interestingly enough, they belong to different designers.

PRESENTATION (6/6)

How do you ensure minimalism with luxury? By establishing extravagance incrementally, in step-by-step. A paper sleeve encases a much more attractive black cardboard box etched with the LAMY name. With the usual papers and a cartridge outside, a thin sheer cloth then encloses a beautifully polished gift box made out beech wood, closed with a magnetic rim.

The beauty of the beech-wood box is that it’s alluringly small enough to slip inside your pocket, the pen still dreaming inside with a soft cushion under her head.
PS: However, with the dialog 3 inside, it could be heavier than your cellphone. 

DESIGN (6/6)

A twist-action fountain pen with an advanced design, it comes with four variants now – matte-black, pianoblack, pianowhite and palladium finish, with six nib sizes – EF, F, M, OM, B & OB. 

The silvery palladium finish with chrome polished clip reflects its immediate environmental colours. An etched pair of parallel lines run along the barrel & grip pieces represent the final nib retraction point, when in sync. LAMY is etched between the lines at the end of the barrel. Half-a-twist clockwise from the barrel top-end will open a ball-valve at the nib end of the grip and the nib extends to a click-stop, keeping the pair of parallel lines at diametrically opposite ends. Anticlockwise, post the parallel sync, the barrel can be unscrewed from the grip+clip section, to take out the nib + filling system. There might be an odd slippage in the twist mechanism, but once I tightened the barrel and grip section, it did not occur again. Simply Elegant!

A chrome ball-valve at the end of the grip section protects the nib from damages of dust and drying, acting in sync with the twist-mechanism. Secondly, the clip lifts and rescinds with the twist to either facilitate an easier grip or enable clipping it on your pocket. 

From the aesthetics of design, the dialog 3 is really majestic. 

FILLING SYSTEM (6/6)

The sum of parts for me is greater than a whole. It’s less fun taking the pen apart, because it’s meant to. Once the barrel is unscrewed anticlockwise beyond the synced parallel lines, it separates out to reveal the nib & fill system. The nib/fill system can be unscrewed anticlockwise from the grip section. You will find a standard Z26 converter fitted into the nib section. Again like the 2000, the design elements appear to be fluidic in both nature and function. The standard capacity is around 0.7-0.8 ml for the Z26 converter, as per various FPN reviews, is quite good for a retractable one.

Once you fill her up, you can put the pen together and then comes the wow moment. 

NIB (6/6) - ALL THAT MATTERS

The 14k two-tone nib comes in four standard widths (EF, F, M, B) and two special widths (OM and OB). Elegantly, designed although in a modern geometric fashion, the white rhodium decor occupies the tines and the tail parts of the nib, while a golden streak runs from the breather hole and diverges itself at the tip end of the nib. Embossed near the tail end are the usual specs of nib size (F), content - 14k-58.5% and of course the LAMY logo.

By the way, this nib runs extremely smooth like warm butter. The plastic feed is a rather small one with a big feeder hole, and it does ensure a wet and smooth flow of ink. The tip is quite a sphere.

One thing I did observe, is the difference between the tipping sizes of 14k-fine nibs of Lamy - a 2000 with a Fine nib in this case, which is in my current rotation. Though, the 2000 had its nib replaced with a somewhat older-service stock of Fine nibs, you can clearly see the difference between their tipping sizes, even without using a loupe. 

PHYSICS OF IT (4/6) - RELATIVELY

A cylindrical body with a 1.3 cm diameter having around 50 grams of weight, might seem to be a heavy proposition to wield as a pen. The length of the fully extended pen is similar to a posted MB146. Taking these into account, this pen does not seem comfortable for extended writing sessions. However, as far as short note taking sessions or signatures are concerned, believe me it could be the dream pen to write with. The illusive weight, the copious flow and the buttery nib will ensure a silky glider. 

• Retracted Length ~ 13.8 cm 
• Extended Length ~ 15.7 cm 
• Nib Leverage ~ 1.8 cm 
• Weight ~ 50 g 

ECONOMIC VALUE (4/6)

With a street price of USD 250-260, it falls right into a category where you would probably think thrice or may be more, before buying the pen. There is always some discount running on MRP of USD 385 in local stores, which brings the price closer to street price levels.

OVERALL (5.3/6)

A flawlessly efficient pen as far as the vital parts of the pen are concerned. It has never skipped and all the twist mechanisms operate with firm intents of functionality. The d3 fine nib has quite a soft touch, decent spring, runs wet like rains & smooth like butter laying a broad line. With a relatively dry Pelikan 4001 ink, the wet lines laid by the Fine nib, run broader than a 2000-fine and a Platinum President Broad nib running the wettest of Diamine inks. The lines take around 30-35 seconds to dry Pelikan 4001 Royal Blue ink on MD Paper. 

A pen you cannot ignore, if you wish to have a retractable one with the smoothest of nibs.

Hope you liked the review. The Lamy 2000 is reviewed here.
You can find some more pen and paraphernalia reviews here.

A Tale of the lesser flagship of Montblanc : The Meisterstück 146

My holidays rarely match with others’ in the family. So, last afternoon, while I was staring at the chessboard to play yet another game, I thought of putting the board to a better use than just moving the pieces against myself. So, why not take three big nibs out of their temporary resting places and give them a try. In this fast-paced world, fountain pens have most certainly embarked the sail of luxury, consistent with properties of both time and money. These days, keyboards – physical, on-screen or speech-engine ones have taken over a Pen’s traditional space-time. Thankfully, notebooks and writing pads are still there to keep them alive, even if people have started to take notes in their tablets, phones or phablets. 

Not being a fan of very big pens, I usually go for the nearer to flagship models. They seem to be appealing from twin perspectives of economy & convenience. 

A BRIEFER HISTORY IN TIME

MONT BLANC

I came across a real Montblanc pretty much later in life, though used to love a pen called Camlin Premier during school days. It came with a 1-pen leather pouch, an additional screw-fit nib and it did have those striped ink windows. I say I loved it, but never wrote with it since it belonged to my dad and I was a small kid. Back in 1999-2000, it cost around USD 5.00 and it was a hefty price tag for a locally made fountain pen. Later I did realize that it was yet another MB 146 inspiration, when I went to a pen store in Calcutta. 

As most of you would know, Montblanc was started in 1906 a Hamburg banker, Alfred Nehemias, and a Berlin engineer, August Eberstein as Simplizissimus-Füllhalter which means Simplistic Fountain pens, after they learnt about fountain pens with ink tanks from the US. By 1908, three other people by the name of Wilhelm Dziambor, Christian Lausen and later Claus Johannes Voss had taken over the business and the company took the name “Simplo Filler Pen Co.” which referred to a fountain pen design with a built-in ink-tank. 

In 1909, a safety fountain pen made up of hard rubber called “Rouge et Noir” was launched, which actually means Red and Black. The pen consisted of a red cap and a black body, perhaps inspired from a card-game. You can also find a limited edition of the same. In 1910, the company became Mont Blanc, inspired by the highest peak of the Alps (4810 m) and a pen called Montblanc was introduced with a white tip (which would later evolve into a white star in 1913). In 1926, the Meisterstück was launched. By 1929, the nibs were engraved with 4810, the official height of Mont Blanc peak, as an allusion to supreme quality and craftsmanship. The flagship Meisterstück 149 was launched in 1952, evolving from celluloid & brass mechanism to resin & plastic mechanism over the years. For the Meisterstück 146, the ink windows were modified to striped version somewhere around the 1970s from clear blue window and the the two-tone nib was introduced in 1993-94.

As far as the model numbers XYZ (146) are concerned, MB did traditionally follow a naming convention, albeit in a rather loose manner

X or 1: Tier of pen,  1 - Top class or Meisterstück 2 - Medium range & 3 - Economy

Y or 4: 0 - Safety filler, 2 - Button Filler, 3/4 - Piston Filler

Z or 6: Nib size, 9 being the largest

MB eventually stopped production of all economy pens in 1992.

DESIGN (5/6)

The pen is made of glossy 'precious resin' (a custom variant of Polymethyl methacrylate aka PMMA) and is adorned plated rings and bands. Glistening golden with the subtle shine of black preserve a culture while adding a modern luxurious touch. This specific cigar shape was later copied around the world by many leading pen makers, over decades till date. The cigar shape was invented by Sheaffer Balance in 1928. The 146 also comes with platinum plated trims. The resin does feel substantial to hold, but it's also prone to scratches, if due care is not exercised. 

With a minimalist piece of design,  the clip does start with a tiny piece of elevated ramp. The cap bands and the rings follow the same equation till a ring separating the piston end concludes both dazzle and design. The clip is tension fit and carries a serial number and GERMANY along the ring. On its underside it may or may not carry the engraving of Pix, depending upon the year of manufacture. Montblanc included the trademark post 1997. There are a lot of Chinese fakes flooding both online and offline channels, which is why Montblanc has to come up with newer and innovative trademarks with every model. 

The cap unscrews with a single turn revealing a dazzling two tone nib along with a striped ink window. I like the ink-windows very much.

The cap does mention MONTBLANC - MEISTERSTÜCK etched across the broader of the concentric golden bands, in a cross-hatched font while two thinner bands above and below render  the differential aesthetics. The finial carries the white-star.

FILLING SYSTEM (6/6)

The piston is distinguished by a golden band and has an easy and a hassle-free mechanism. The piston end unscrews with less than three rotations and as the white piston head moves along the ink-windows, ink gushes into the barrel. A brass connector gives the necessary weight to the barrel.

NIB - ALL THAT MATTERS (6/6)

The dazzling two-tone nib is tested by hand, and it comes in eight different widths including the common widths of EF, F, M & B. And this silvery rhodium finish provides both glitter and glamour. 

                         A golden decor runs along the shoulders of the nib and it converges across the outer tines onto an iridium tip, while the rhodium silvery finish diverges from the breather hole across the inside of the tines and over to the tail. 

A bounded layer of arabesques & curves segregates the rhodium and gold decors. Then, there is a dazzling white M logo resting inside the encircled star, above which rest the height of Mont Blanc peak, 4810 (m). This one is a fine nib and writes quite wet and smooth. The tail end specifies the composition (58.5% Au) of the gold-alloy used. Above it rest the specification 14K and brandname of MONTBLANC. There is no width specified on the nib itself, unlike others.

A standard black plastic feed with finely spaced fins (earlier ones had ebonite feeds) ensures a good ink buffer for the awesome wetness and prevents hard starts. By the way, I just love the ink windows.

PHYSICS OF RELATIVITY (6/6)

It does give a comfortable feel to write with the pen without posting the cap. The overall capped length is around 14.2 cm. The pen can be used posted without any feeling of top-heaviness as the weight of the cap is less than a third of the total weight. The section has a comfortable grip of around 1.2 cm.

• Uncapped Length ~ 12.4 cm
• Posted Length ~ 15.6 cm
• Nib Leverage ~ 2.4 cm
• Overall Weight ~ 31 g (Cap Weight ~ 9 g)

Below are the pictures along with a Pelikan m805 and a Pilot Custom 823 for your reference.

ECONOMIC VALUE (3/6)

This one defies both logic & gravity and the pen retails at more than USD 750. The price puts most of the fountain pen people off, while getting a pre-owned one from your uncles (well nothing like that! or buying it at a good discount) can save some money. You can also get hold of a MB boutique sales person selling off some older generation demo pens at a good discount. When it comes to the internet, one has to be careful regarding the abundance of fakes in the online marketplaces and the best fakes are costly and are quite difficult to identify without experience.
Value for money? I doubt.
Heritage Value? High.
You can probably pass on the pen to your next generation and they would still recognise it as a brand. Can I pass on the same emotional value with a say, Pilot Custom 845, outside of Japan? I doubt. This will probably need some internet searches, before one realizes the true value of the pen.

OVERALL (5.2/6)

The writing experience is amazing although I do find the pilot custom 823 and m805 being equally good when it comes to nibs of similar size and constituency.  There is a hint of spring and softness in the nib and an absence of any line variation between the horizontal and vertical strokes. The lines dry relatively quickly with a MB Toffee Brown ink taking around 25 seconds on MD Paper. And you get a nice shading too.

Comparatively, a custom 823 with a medium nib, draws a line, thinner than both 146 and m805 fine points and dries quickly. On a smooth MD paper with stock pelikan 4001 inks, it took more than 30 seconds to dry the dots put by the 146 (as well as the m805). 

Final Toffee Pose

REFERENCES

Meisterstück 149 Review
Montblanc Website

Gentleman's Gazette

Forbes Article
Model Numbers

Thank you for going through the review.
You can find some more pen and paraphernalia reviews here.